A Kind of Anger - Ambler, Eric
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'A thriller of the highest quality - ironic, witty, literate, ingenious, understated and unflaggingly suspenseful' The New York Times Book Review
The last time anyone saw Lucia Bernardi, she was driving at top speed away from a Swiss villa - leaving the body of her murdered Iraqi lover behind. Now she has vanished, along with a potentially explosive set of papers, and disgraced journalist Piet Maas has been sent to follow her trail to the South of France. But finding her is just the start of his problems. Soon, amid a cast of con men, secret agents and revolutionaries, he must decide…mehr

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Produktbeschreibung
'A thriller of the highest quality - ironic, witty, literate, ingenious, understated and unflaggingly suspenseful' The New York Times Book Review

The last time anyone saw Lucia Bernardi, she was driving at top speed away from a Swiss villa - leaving the body of her murdered Iraqi lover behind. Now she has vanished, along with a potentially explosive set of papers, and disgraced journalist Piet Maas has been sent to follow her trail to the South of France. But finding her is just the start of his problems. Soon, amid a cast of con men, secret agents and revolutionaries, he must decide whether to land the scoop of his lifetime - or follow Lucia into ever more dangerous waters.
Autorenporträt
Eric Ambler (1909-98) was born in London to parents who were part-time entertainers. He studied engineering but left college without taking a degree and became a copywriter in the advertising industry. Between 1937 and 1940, he published his great anti-fascist spy thrillers: Uncommon Danger, Epitaph for a Spy, Cause for Alarm, The Mask of Dimitrios, and Journey into Fear. In 1940, he joined the Royal Artillery and was later transferred to the army film unit. After the war he worked as a screenwriter in England and Hollywood and married his second wife, a leading Hollywood producer. Ambler's post-war novels include Passage of Arms, The Light of Day and A Kind of Anger, and his profound influence on the genre has been acknowledged by writers including Graham Greene, Ian Fleming and John le Carré.
Rezensionen
The source on which we all draw John le Carré