This essential book covers the key areas for A Level Film Studies students, building confidence through a careful, step-by-step approach.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Casey Benyahia is Head of Film Studies at Colchester Sixth Form College. She is the author of Crime (2011), 'Between Place and Non-Place: Disrupting the Categorizations of the Past in Ida' in S. Allen and K. Møllegaard (eds), Narratives of Place in Literature and Film (2019), and co-author of Doing Film Studies (2012). John White is the author of Westerns (2011), European Art Cinema (2017), and The Contemporary Western: An American Genre Post-9/11 (2019). He is co-editor of The Routledge Encyclopedia of Films (2014). Freddie Gaffney is a lecturer, screenwriter, and filmmaker. He is co-author of AS Film Studies: The Essential Introduction, 2nd edn (2008) and On Screenwriting (2009).
Inhaltsangabe
Introduction: This is Film Studies Part I: Film Form and Analysis Chapter 1: Mise en scène Chapter 2: Cinematography Chapter 3: Editing Chapter 4: Sound Chapter 5: Performance Part II: Theoretical Approaches and Critical Debates Chapter 6: Narrative and Genre Chapter 7: Representation and Ideology Chapter 8: Spectatorship and Audience Studies Chapter 9: Authorship Chapter 10: Historical, Social, and Cultural Contexts Part III: Hollywood and US Cinema Chapter 11: Classic Hollywood, 1930-1960 Chapter 12: New Hollywood, 1961-1990 Chapter 13: Contemporary American Cinema Part IV: National Cinemas, Global Cinema, and Arthouse Film Chapter 14: Contemporary British Cinema Chapter 15: European Film Chapter 16: Global Film Part V: Further Varieties of Film Experience Chapter 17: Silent Cinema Chapter 18: Experimental Film Chapter 19: Documentary Film: Theory and Practice Part VI: Understanding Film through Creative Practice Chapter 20: Researching and Constructing a Short Film: Narrative Construction Index
Introduction: This is Film Studies Part I: Film Form and Analysis Chapter 1: Mise en scène Chapter 2: Cinematography Chapter 3: Editing Chapter 4: Sound Chapter 5: Performance Part II: Theoretical Approaches and Critical Debates Chapter 6: Narrative and Genre Chapter 7: Representation and Ideology Chapter 8: Spectatorship and Audience Studies Chapter 9: Authorship Chapter 10: Historical, Social, and Cultural Contexts Part III: Hollywood and US Cinema Chapter 11: Classic Hollywood, 1930-1960 Chapter 12: New Hollywood, 1961-1990 Chapter 13: Contemporary American Cinema Part IV: National Cinemas, Global Cinema, and Arthouse Film Chapter 14: Contemporary British Cinema Chapter 15: European Film Chapter 16: Global Film Part V: Further Varieties of Film Experience Chapter 17: Silent Cinema Chapter 18: Experimental Film Chapter 19: Documentary Film: Theory and Practice Part VI: Understanding Film through Creative Practice Chapter 20: Researching and Constructing a Short Film: Narrative Construction Index
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