Building confidence through a careful, step-by-step approach, this book is an essential companion for students undertaking A Level Film Studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Casey Benyahia currently teaches Film Studies at A-level and is an experienced senior examiner. She is the author of several books, including: Crime (Routledge, 2011), Doing Film Studies with Claire Mortimer (Routledge, 2013), and Teaching Film and TV Documentary (BFI, 2008). John White is the author of British Cinema and a Divided Nation (EUP, 2021), The Contemporary Western: An American Genre Post-9/11 (EUP, 2019), European Art Cinema (Routledge, 2017), and Westerns (Routledge, 2011). He co-edited The Routledge Encyclopedia of Films (Routledge, 2015), Fifty Key American Films (Routledge, 2009), and Fifty Key British Films (Routledge, 2008).
Inhaltsangabe
Introduction This is Film Studies Part I Film form and analysis Chapter 1 Mise en scene Chapter 2 Cinematography Chapter 3 Editing Chapter 4 Sound Chapter 5 Performance Part II Theoretical approaches and critical debates Chapter 6 Narrative and genre Chapter 7 Representation and ideology Chapter 8 Spectatorship Chapter 9 Authorship Chapter 10 Historical, Social, Political and Cultural Contexts Part III Hollywood and US Cinema Chapter 11 Classical Hollywood, 1930 1960 Chapter 12 New Hollywood, 1961 1990 Chapter 13 American film post 2010 Part IV National cinemas, European cinema, and global cinema Chapter 14 British film since 1995 Chapter 15 European film Chapter 16 Global Film Part V Further varieties of film experience Chapter 17 Silent cinema Chapter 18 Experimental film Chapter 19 Documentary film: theory and practice Part VI Understanding film through creative practice Chapter 20 Researching and constructing a short film Index
Introduction This is Film Studies Part I Film form and analysis Chapter 1 Mise en scene Chapter 2 Cinematography Chapter 3 Editing Chapter 4 Sound Chapter 5 Performance Part II Theoretical approaches and critical debates Chapter 6 Narrative and genre Chapter 7 Representation and ideology Chapter 8 Spectatorship Chapter 9 Authorship Chapter 10 Historical, Social, Political and Cultural Contexts Part III Hollywood and US Cinema Chapter 11 Classical Hollywood, 1930 1960 Chapter 12 New Hollywood, 1961 1990 Chapter 13 American film post 2010 Part IV National cinemas, European cinema, and global cinema Chapter 14 British film since 1995 Chapter 15 European film Chapter 16 Global Film Part V Further varieties of film experience Chapter 17 Silent cinema Chapter 18 Experimental film Chapter 19 Documentary film: theory and practice Part VI Understanding film through creative practice Chapter 20 Researching and constructing a short film Index
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