Although the Italian philosopher Giorgio Agamben s political thought has drawn substantial critical attention in North America over roughly the last decade, this coverage tends to focus on only a few works in isolation. This study is one of the few full-length examinations seeking to correct this limitation by providing a synthetic exposition and analysis of a substantial portion of Agamben s body of work. Not only does this study address the relative lack of attention paid to Agamben s early work on language and aesthetics, it also advances an original assessment of the relative influence on Agamben s work as a whole by two key figures, namely, Martin Heidegger and Walter Benjamin. By proceeding in this way, the study has the objective of establishing that Agamben s more recent and explicitly political work does not constitute a shift or break with his earlier thinking, but is an extension and elaboration of it.
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