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__As featured on Barack Obama's Summer 2022 Reading List__
Winner of the Gordon Burn Prize
Winner of the 2022 Andrew Carnegie Medal for Excellence in Nonfiction
Finalist for the National Book Critics Circle Award
Finalist for the Pen/Diamonstein-Spievogel Award for the Art of the Essay
Shortlisted for the National Book Award
'Gorgeous' - Brit Bennett
'Pure genius' - Jacqueline Woodson
'One of the most dynamic books I have ever read' - Clint Smith
At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.
With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.
Winner of the Gordon Burn Prize
Winner of the 2022 Andrew Carnegie Medal for Excellence in Nonfiction
Finalist for the National Book Critics Circle Award
Finalist for the Pen/Diamonstein-Spievogel Award for the Art of the Essay
Shortlisted for the National Book Award
'Gorgeous' - Brit Bennett
'Pure genius' - Jacqueline Woodson
'One of the most dynamic books I have ever read' - Clint Smith
At the March on Washington, Josephine Baker reflected on her life and her legacy. She had spent decades as one of the most successful entertainers in the world, but, she told the crowd, "I was a devil in other countries, and I was a little devil in America, too". Inspired by these words, Hanif Abdurraqib has written a stirring meditation on Black performance in the modern age, in which culture, history and his own lived experience collide.
With sharp insight, humour and heart, Abdurraqib explores a sequence of iconic and intimate performances that take him from mid-century Paris to the moon -- and back down again, to a cramped living room in Columbus, Ohio. Each one, he shows, has layers of resonance across Black and white cultures, the politics of American empire, and his own personal history of love and grief -- whether it's the twenty-seven seconds of 'Gimme Shelter' in which Merry Clayton sings, or the magnificent hours of Aretha Franklin's homegoing; Beyoncé's Super Bowl show or a schoolyard fistfight; Dave Chapelle's skits or a game of spades among friends.
Hanif Abdurraqib's genius is in pinpointing those moments in American cultural history when Black people made lightning strike. But Black performance, Black artistry, Black freedom too often came at devastating price. The real devil in America is America itself, the one who stole the soul that he, through open eyes and fearless prose, snatches back. This is searing, revelatory, filled with utter heartbreak, and unstoppable joy. Marlon James, author of Black Leopard Red Wolf