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In A Modern Miscellany Paul Bevan demonstrates that in the 1930s the Chinese cartoon was not only important in the sphere of Shanghai popular culture but that it occupied a central place in the primary discourse of Chinese modern art history.

Produktbeschreibung
In A Modern Miscellany Paul Bevan demonstrates that in the 1930s the Chinese cartoon was not only important in the sphere of Shanghai popular culture but that it occupied a central place in the primary discourse of Chinese modern art history.
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Autorenporträt
Paul Bevan, Ph.D (SOAS, 2013), has taught Chinese history and modern Chinese literature at SOAS and the University of Oxford. His wide-ranging research interests include the impact of Western art and literature on China during the Republican period and the study of inscriptions on eighteenth-century art objects.