A New Companion to Renaissance Drama
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A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry. _ A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period _ Contributors are both established and emerging scholars, with many leading international figures in the discipline _ Offers a unique approach by organizing the chapters by…mehr

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Produktbeschreibung
A New Companion to Renaissance Drama provides an invaluable summary of past and present scholarship surrounding the most popular and influential literary form of its time. Original interpretations from leading scholars set the scene for important paths of future inquiry.
_ A colorful, comprehensive and interdisciplinary overview of the material conditions of Renaissance plays, England's most important dramatic period
_ Contributors are both established and emerging scholars, with many leading international figures in the discipline
_ Offers a unique approach by organizing the chapters by cultural context, theatre history, genre studies, theoretical applications, and material studies
_ Chapters address newest departures and future directions for Renaissance drama scholarship
_ Arthur Kinney is a world-renowned figure in the field
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Autorenporträt
Arthur F. Kinney is Thomas W. Copeland Professor of Literary History Emeritus in the University of Massachusetts and Founding Director of the Massachusetts Center for Interdisciplinary Renaissance Studies. He is the author and editor of a number of books and essays, including Renaissance Drama (editor, 2005), Shakespeare and Cognition (2006), Elizabethan and Jacobean England (2010), The Oxford Handbook of Shakespeare (editor, 2012), and Renaissance Reflections, Selected Essays 1976-2014 (2014). He is the only recipient of both the Paul Oskar Kristeller Lifetime Achievement Award from the Renaissance Society of America and the Jean Roberts Lifetime Achievement Award from the International Sidney Society. Thomas Warren Hopper is a Ph.D. candidate at the University of Massachusetts Amherst whose research focuses on classical reception. He has previously worked as the Walter T. Chmielewski Fellow for English Literary Renaissance, contributed to the editing of The Oxford Handbook of Shakespeare (2012). He teaches at Eagle Hill School in Hardwick, MA.
Rezensionen
04
Magic and Witchcraft 170
Deborah Willis

14 Antitheatricality: The Theater as Scourge 182
Leah S. Marcus

Part II Theater History 193

15 Performance: Audiences, Actors, Stage Business 195
S. P. Cerasano

16 Playhouses 211
David Kathman

17 Theatrical License and Censorship 225
Richard Dutton

18 Playing Companies and Repertory 239
Roslyn L. Knutson

19 Rehearsal and Acting Practice 250
Don Weingust

20 Boy Companies and Private Theaters 268
Michael Shapiro

21 Women's Involvement in Theatrical Production 282
Natasha Korda

22 "To travayle amongst our frendes": Touring 296
Peter H. Greenfield

23 Progresses and Court Entertainments 309
R. Malcolm Smuts

24 "What revels are in hand?" Performances in the Great Households 322
Suzanne Westfall

25 Civic Drama 337
Lawrence Manley

Part III Genres 355

26 Masque 357
David Lindley