This book develops a theory of aesthetics that criticizes scientific and philosophical reductionism that denies the importance of culture in art and taste, but its theory accepts some fundamental aspects of Neo-Darwinist theory of culture by addressing points of convergence among the notions of meme, simulacrum, and symbol.
This book develops a theory of aesthetics that criticizes scientific and philosophical reductionism that denies the importance of culture in art and taste, but its theory accepts some fundamental aspects of Neo-Darwinist theory of culture by addressing points of convergence among the notions of meme, simulacrum, and symbol.
Roberto Terrosi is full time lecturer in Italian language and Italian studies at Ritsumeikan University.
Inhaltsangabe
Introduction Chapter 1: Archaeology and Genealogy of Aesthetics Chapter 2: Philosophical Premises of Cultural Theory Chapter 3: The Evolution of Culture Chapter 4: Memes and Simulacra Chapter 5: Bigaku: The Crisis of Modern Aesthetics and the Return of Beauty Chapter 6: Value, Power, Art, Economics Conclusion
Introduction Chapter 1: Archaeology and Genealogy of Aesthetics Chapter 2: Philosophical Premises of Cultural Theory Chapter 3: The Evolution of Culture Chapter 4: Memes and Simulacra Chapter 5: Bigaku: The Crisis of Modern Aesthetics and the Return of Beauty Chapter 6: Value, Power, Art, Economics Conclusion
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