In A Performer's Guide To Transcribing, Editing, and Arranging Early Music, author Alon Schab lays out a clear, accessible roadmap for adapting early pieces to today's ear.
In A Performer's Guide To Transcribing, Editing, and Arranging Early Music, author Alon Schab lays out a clear, accessible roadmap for adapting early pieces to today's ear.
Alon Schab is Senior Lecturer in the Department of Music at the University of Haifa and a committee member of the Purcell Society. A musicologist, composer, and recorder player, he focuses on English music and has published extensively on the music of Henry Purcell.
Inhaltsangabe
Acknowledgements Introduction 1. Historical Sources on the Concert Stage 2. The Musical Text as a Point of Departure 3. Different Works, Different Versions, Neither or Both? 4. "The ear must be chief umpire" (Intuition and Critical Editing) 5. Historically Informed Arrangement 6. Writing for Early Instruments Today Bibliography
Acknowledgements Introduction 1. Historical Sources on the Concert Stage 2. The Musical Text as a Point of Departure 3. Different Works, Different Versions, Neither or Both? 4. "The ear must be chief umpire" (Intuition and Critical Editing) 5. Historically Informed Arrangement 6. Writing for Early Instruments Today Bibliography
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