Published in 1759, this is the second edition of an influential exploration of aesthetic taste by Edmund Burke (1729-97).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Introduction Part I: 1. Novelty 2. Pain and pleasure 3. The difference between the removal of pain and positive pleasure 4. Of delight and pleasure 5. Joy and grief 6. Of the passions which belong to self-preservation 7. Of the sublime 8. Of the passions which belong to society 9. The final cause of the difference between the passions 10. Of beauty 11. Society and solitude 12. Sympathy, imitation and ambition 13. Sympathy 14. The effects of sympathy in the distresses of others 15. Of the effects of tragedy 16. Imitation 17. Ambition 18. Recapitulation 19. The conclusion Part II: 1. Of the passion caused by the sublime 2. Terror 3. Obscurity 4. Of the difference between clearness and obscurity 5. Power 6. Privation 7. Vastness 8. Infinity 9. The fame 10. Succession and uniformity 11. The effect of uniformity in building 12. Magnitude in building 13. Infinity in pleasing objects 14. Difficulty 15. Magnificence 16. Light 17. Light in building 18. Colour considered as productive of the sublime [18.] Sound and loudness 19. Suddenness 20. Intermitting 21. The cries of animals 23. Smell and taste 24. Feeling, pain Part III: 1. Of beauty 2. Proportion not the cause of beauty in vegetables 3. Proportion not the cause of beauty in animals 4. Proportion not the cause of beauty in the human species 5. Proportion further considered 6. Fitness not the cause of beauty 7. The real effects of fitness 8. The recapitulation 9. Perfection not the cause of beauty 10. How far the idea of beauty may be applied 11. How far the ideas of beauty may be applied to virtue 12. The real cause of beauty 13. Beautiful objects small 14. Smoothness 15. Gradual variation 16. Delicacy 17. Beauty in colour 18. Recapitulation 19. The physiognomy 20. The eye 21. Ugliness 22. Grace 23. Elegance and speciousness 24. The beautiful in feeling 25. The beautiful in sounds 26. Taste and smell 27. The sublime and beautiful compared Part IV: 1. Of the efficient cause of the sublime and beautiful 2. Association 3. Cause of pain and fear 4. Continued 5. How the sublime is produced 6. How pain can be a cause of delight 7. Exercise necessary for the finer organs 8. Why things not dangerous sometimes produce a passion like terror 9. Why visual subjects of great dimensions are sublime 10. Unity why requisite to vastness 11. The artificial infinite 12. The vibrations must be similar 13. The effects of succession in visual objects explained 14. Locke's opinion concerning darkness considered 15. Darkness terrible in its own nature 16. Why darkness is terrible 17. The effects of blackness 18. The effects of blackness moderated 19. The physical cause of love 20. Why smoothness is beautiful 21. Sweetness, its nature 22. Sweetness relaxing 23. Variation, why beautiful 24. Concerning smallness 25. Of colour Part V: 1. Of words 2. The common effect of poetry 3. General words before ideas 4. The effect of words 5. Examples that words may affect without raising images 6. Poetry not strictly an imitative art 7. How words influence the passions.
Preface Introduction Part I: 1. Novelty 2. Pain and pleasure 3. The difference between the removal of pain and positive pleasure 4. Of delight and pleasure 5. Joy and grief 6. Of the passions which belong to self-preservation 7. Of the sublime 8. Of the passions which belong to society 9. The final cause of the difference between the passions 10. Of beauty 11. Society and solitude 12. Sympathy, imitation and ambition 13. Sympathy 14. The effects of sympathy in the distresses of others 15. Of the effects of tragedy 16. Imitation 17. Ambition 18. Recapitulation 19. The conclusion Part II: 1. Of the passion caused by the sublime 2. Terror 3. Obscurity 4. Of the difference between clearness and obscurity 5. Power 6. Privation 7. Vastness 8. Infinity 9. The fame 10. Succession and uniformity 11. The effect of uniformity in building 12. Magnitude in building 13. Infinity in pleasing objects 14. Difficulty 15. Magnificence 16. Light 17. Light in building 18. Colour considered as productive of the sublime [18.] Sound and loudness 19. Suddenness 20. Intermitting 21. The cries of animals 23. Smell and taste 24. Feeling, pain Part III: 1. Of beauty 2. Proportion not the cause of beauty in vegetables 3. Proportion not the cause of beauty in animals 4. Proportion not the cause of beauty in the human species 5. Proportion further considered 6. Fitness not the cause of beauty 7. The real effects of fitness 8. The recapitulation 9. Perfection not the cause of beauty 10. How far the idea of beauty may be applied 11. How far the ideas of beauty may be applied to virtue 12. The real cause of beauty 13. Beautiful objects small 14. Smoothness 15. Gradual variation 16. Delicacy 17. Beauty in colour 18. Recapitulation 19. The physiognomy 20. The eye 21. Ugliness 22. Grace 23. Elegance and speciousness 24. The beautiful in feeling 25. The beautiful in sounds 26. Taste and smell 27. The sublime and beautiful compared Part IV: 1. Of the efficient cause of the sublime and beautiful 2. Association 3. Cause of pain and fear 4. Continued 5. How the sublime is produced 6. How pain can be a cause of delight 7. Exercise necessary for the finer organs 8. Why things not dangerous sometimes produce a passion like terror 9. Why visual subjects of great dimensions are sublime 10. Unity why requisite to vastness 11. The artificial infinite 12. The vibrations must be similar 13. The effects of succession in visual objects explained 14. Locke's opinion concerning darkness considered 15. Darkness terrible in its own nature 16. Why darkness is terrible 17. The effects of blackness 18. The effects of blackness moderated 19. The physical cause of love 20. Why smoothness is beautiful 21. Sweetness, its nature 22. Sweetness relaxing 23. Variation, why beautiful 24. Concerning smallness 25. Of colour Part V: 1. Of words 2. The common effect of poetry 3. General words before ideas 4. The effect of words 5. Examples that words may affect without raising images 6. Poetry not strictly an imitative art 7. How words influence the passions.
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