A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude.
A Poetics of Third Theatre offers an in-depth, critical analysis of Third Theatre, a transnational community of theatre groups and artists united by a shared set of values and a laboratory attitude.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jane Turner is the author of Eugenio Barba (2004, 2nd edn 2018), in the Routledge Performance Practitioners series. She has also published material on Third Theatre, Balinese theatre, performer training, theatre ethnography, the sublime and contemporary theatre performances. As an academic at the Manchester School of Theatre, she teaches on the Drama and Contemporary Performance degree programme. Patrick Campbell is co-author, with Margaret Pikes, of Owning Our Voices: Vocal Discovery in the Wolfsohn-Hart Tradition (2021), in the Routledge Voice Studies series. He has also published material on Third Theatre, Brazilian theatre, performer training and contemporary theatre performance. As an academic at the Manchester School of Theatre, he teaches on the Drama and Contemporary Performance degree programme.
Inhaltsangabe
Part 1 1. Third Theatre: A Genealogy of the Concept 2. Third Theatre: A Genealogy of the Practice Part 2 3. LUME (Brazil) 4. Grupo Cultural Yuyachkani (Peru) 5. Triangle Theatre (UK) 6. Nordisk Teaterlaboratorium (Denmark): Third Theatre Today Part 3 7. From Interculturalism to Cultural Performance 8. Third Theatre: Embodiment, Craft, (Re)Enchantment 9. Third Theatre Exercises: An Expanded Practice
Part 1 1. Third Theatre: A Genealogy of the Concept 2. Third Theatre: A Genealogy of the Practice Part 2 3. LUME (Brazil) 4. Grupo Cultural Yuyachkani (Peru) 5. Triangle Theatre (UK) 6. Nordisk Teaterlaboratorium (Denmark): Third Theatre Today Part 3 7. From Interculturalism to Cultural Performance 8. Third Theatre: Embodiment, Craft, (Re)Enchantment 9. Third Theatre Exercises: An Expanded Practice
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