Ronald Schleifer
A Political Economy of Modernism
Ronald Schleifer
A Political Economy of Modernism
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- Produkterinnerung
- Produkterinnerung
Analyzes the complex unity of modernist culture, paying special attention to artistic, intellectual, and social institutions that embody value.
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Analyzes the complex unity of modernist culture, paying special attention to artistic, intellectual, and social institutions that embody value.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 354
- Erscheinungstermin: 18. Oktober 2018
- Englisch
- Abmessung: 235mm x 157mm x 25mm
- Gewicht: 727g
- ISBN-13: 9781108472951
- ISBN-10: 1108472958
- Artikelnr.: 51798725
- Verlag: Cambridge University Press
- Seitenzahl: 354
- Erscheinungstermin: 18. Oktober 2018
- Englisch
- Abmessung: 235mm x 157mm x 25mm
- Gewicht: 727g
- ISBN-13: 9781108472951
- ISBN-10: 1108472958
- Artikelnr.: 51798725
Ronald Schleifer is George Lynn Cross Research Professor of English and Adjunct Professor in Medicine at the University of Oklahoma. He has written or edited more than twenty books, including: Modernism and Time (Cambridge, 2000) and Modernism and Popular Music (Cambridge, 2011). His most recent books are Pain and Suffering (2014; translated into Chinese, 2017); The Chief Concern of Medicine: The Integration of the Medical Humanities and Narrative Knowledge into Medical Practices (co-authored with Dr Jerry Vannatta, 2013). He is co-editor of Contemporary Literary Criticism (1998) and is the former editor of Genre.
1. Methodological prologue: the constellation of modernism; Part I.
Economics in the Context of Cultural Modernism: 2. The argument; 3.
Modernism and economics: the long history and immediate history of
modernism; Part II. Intangible Assets: Modernist Economics: 4. The origins
of corporate influences on the arts: technological innovations, intangible
assets, and the shapes of aesthetic experience; 5. Modernist goods,
modernists arts: consumption and commodities in the new twentieth century;
Interlude: from economics to discourse: economic fact, semiotic fact; Part
III. Intangible Liabilities: Class and Value in the Time of Modernism: 6.
The lower middle-class: literature, economics, and the shape of modernism;
7. Political economy and the fictions of finance: the modernism of Dreiser
and Wells; Conclusion: cosmopolitan modernism.
Economics in the Context of Cultural Modernism: 2. The argument; 3.
Modernism and economics: the long history and immediate history of
modernism; Part II. Intangible Assets: Modernist Economics: 4. The origins
of corporate influences on the arts: technological innovations, intangible
assets, and the shapes of aesthetic experience; 5. Modernist goods,
modernists arts: consumption and commodities in the new twentieth century;
Interlude: from economics to discourse: economic fact, semiotic fact; Part
III. Intangible Liabilities: Class and Value in the Time of Modernism: 6.
The lower middle-class: literature, economics, and the shape of modernism;
7. Political economy and the fictions of finance: the modernism of Dreiser
and Wells; Conclusion: cosmopolitan modernism.
1. Methodological prologue: the constellation of modernism; Part I.
Economics in the Context of Cultural Modernism: 2. The argument; 3.
Modernism and economics: the long history and immediate history of
modernism; Part II. Intangible Assets: Modernist Economics: 4. The origins
of corporate influences on the arts: technological innovations, intangible
assets, and the shapes of aesthetic experience; 5. Modernist goods,
modernists arts: consumption and commodities in the new twentieth century;
Interlude: from economics to discourse: economic fact, semiotic fact; Part
III. Intangible Liabilities: Class and Value in the Time of Modernism: 6.
The lower middle-class: literature, economics, and the shape of modernism;
7. Political economy and the fictions of finance: the modernism of Dreiser
and Wells; Conclusion: cosmopolitan modernism.
Economics in the Context of Cultural Modernism: 2. The argument; 3.
Modernism and economics: the long history and immediate history of
modernism; Part II. Intangible Assets: Modernist Economics: 4. The origins
of corporate influences on the arts: technological innovations, intangible
assets, and the shapes of aesthetic experience; 5. Modernist goods,
modernists arts: consumption and commodities in the new twentieth century;
Interlude: from economics to discourse: economic fact, semiotic fact; Part
III. Intangible Liabilities: Class and Value in the Time of Modernism: 6.
The lower middle-class: literature, economics, and the shape of modernism;
7. Political economy and the fictions of finance: the modernism of Dreiser
and Wells; Conclusion: cosmopolitan modernism.