A Portrait of the Artist as a Young Man portrays Stephen Dedalus's Dublin childhood and youth, providing an oblique self-portrait of the young James Joyce. At its center are questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive, this coming-of-age story is a tour de force of style and technique.
A Portrait of the Artist as a Young Man portrays Stephen Dedalus's Dublin childhood and youth, providing an oblique self-portrait of the young James Joyce. At its center are questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive, this coming-of-age story is a tour de force of style and technique.
A Portrait of the Artist as a Young ManEditor's Preface I. A Portrait of the Artist as a Young Man: The Text A Note on the Text Related Texts by Joyce Editorial Note A Portrait of the Artist Epiphanies From Stephen Hero: Emma Cleary; I Will Not Submit; The Convent Girls; You Are Mad, Stephen; Epiphanies The Trieste Notebook From Ulysses: Let Me Be and Let Me Live; The Only True Thing in Life?; Nothung! From Finnegans Wake: Shem the Penman; The Haunted Inkbottle III. A Portrait of the Artist as a Young Man: Criticism Early Comment: Ezra Pound, Letter to Joyce Edward Garnett, Reader's Report Ezra Pound, James Joyce: At Last the Novel Appears Diego Angeli, Extracts from Il Marzocco H. G. Wells, James Joyce The Egoist, Extracts from Press Notices The Egoist, James Joyce and His Critics: Some Classified Comments The Tradition and the New Novel: Maurice Beebe, The Artist as Hero Irene Hendry Chayes, Joyce's Epiphanies Frank O'Connor, Joyce and Dissociated Metaphor William York Tindall, The Literary Symbol General Readings: Richard Ellmann, The Growth of Imagination Harry Levin, The Artist Hugh Kenner, The Portrait in Perspective Kenneth Burke, Definitions Controversy: The Question of Esthetic Distance: Editor's Introduction Wayne Booth, The Problem of Distance in A Portrait of the Artist Robert Scholes, Stephen Dedlaus, Poet or Esthete? IV. Explanatory Notes Chronology Topics for Discussion and Papers Selected Bibliography
A Portrait of the Artist as a Young ManEditor's Preface I. A Portrait of the Artist as a Young Man: The Text A Note on the Text Related Texts by Joyce Editorial Note A Portrait of the Artist Epiphanies From Stephen Hero: Emma Cleary; I Will Not Submit; The Convent Girls; You Are Mad, Stephen; Epiphanies The Trieste Notebook From Ulysses: Let Me Be and Let Me Live; The Only True Thing in Life?; Nothung! From Finnegans Wake: Shem the Penman; The Haunted Inkbottle III. A Portrait of the Artist as a Young Man: Criticism Early Comment: Ezra Pound, Letter to Joyce Edward Garnett, Reader's Report Ezra Pound, James Joyce: At Last the Novel Appears Diego Angeli, Extracts from Il Marzocco H. G. Wells, James Joyce The Egoist, Extracts from Press Notices The Egoist, James Joyce and His Critics: Some Classified Comments The Tradition and the New Novel: Maurice Beebe, The Artist as Hero Irene Hendry Chayes, Joyce's Epiphanies Frank O'Connor, Joyce and Dissociated Metaphor William York Tindall, The Literary Symbol General Readings: Richard Ellmann, The Growth of Imagination Harry Levin, The Artist Hugh Kenner, The Portrait in Perspective Kenneth Burke, Definitions Controversy: The Question of Esthetic Distance: Editor's Introduction Wayne Booth, The Problem of Distance in A Portrait of the Artist Robert Scholes, Stephen Dedlaus, Poet or Esthete? IV. Explanatory Notes Chronology Topics for Discussion and Papers Selected Bibliography
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