Investigates how postmodern techniques are used to create works that embody contemporary contradictions. The author proposes a poststructuralist/postmodern film theory which enhances the analysis of this type of film.
Investigates how postmodern techniques are used to create works that embody contemporary contradictions. The author proposes a poststructuralist/postmodern film theory which enhances the analysis of this type of film.
Mary Alemany-Galway teaches Media Studies at Massey University in New Zealand. Previously she taught Film Studies in Canada at Concordia University and Queen's University. She is the co-editor of Peter Greenaway's Postmodern/Poststructuralist Cinema (Scarecrow Press, 2001).
Inhaltsangabe
Chapter 1 1. Toward a Postmodern Film Theory Chapter 2 2. The Importance of Eisenstein's Theories to Postmodernism Chapter 3 3. Bazin: Phenomenology and Postmodernism Chapter 4 4. Metz: Structuralist Film Theory in the Light of Poststructuralism Chapter 5 5. The Turning Point to Postmodernism: The New Novel and Last Year at Marienbad Chapter 6 6. Canadian Film History and Canadian Identity: Realism, Modernism, and Postmodernism Chapter 7 7. Jesus of Montreal Chapter 8 8. I've Heard the Mermaids Singing Chapter 9 9. Family Viewing Chapter 10 10. Life Classes Chapter 11 11. Conclusion
Chapter 1 1. Toward a Postmodern Film Theory Chapter 2 2. The Importance of Eisenstein's Theories to Postmodernism Chapter 3 3. Bazin: Phenomenology and Postmodernism Chapter 4 4. Metz: Structuralist Film Theory in the Light of Poststructuralism Chapter 5 5. The Turning Point to Postmodernism: The New Novel and Last Year at Marienbad Chapter 6 6. Canadian Film History and Canadian Identity: Realism, Modernism, and Postmodernism Chapter 7 7. Jesus of Montreal Chapter 8 8. I've Heard the Mermaids Singing Chapter 9 9. Family Viewing Chapter 10 10. Life Classes Chapter 11 11. Conclusion
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