Lisa Pon is an associate professor in the Department of Art History at Southern Methodist University's Meadows School of the Arts, where she teaches the history of early modern European art, architecture, and visual culture. She has received research grants or fellowships from the American Council of Learned Societies, the Folger Shakespeare Library, the Gladys Krieble Delmas Foundation, the American Philosophical Society, the Center for the Advanced Study in the Visual Arts, the Getty Research Institute, and the Warburg Institute. She has published numerous articles in international academic journals and is author of Raphael, Dürer, and Marcantonio Raimondi (2004) and coeditor of The Books of Venice/Il Libro Veneziano (2008, with Craig Kallendorf).
Inhaltsangabe
Part I. Thing: 1. Iconography: Madonna and child 2. Imprint: paper, print, and matrix Part II. Emplacement: 3. Miracle: the fire of February 4, 1428 4. Domestic display: Lombardino da Ripetrosa's schoolhouse 5. Ecclesiastical enshrinement: the cathedral of Forlì Part III. Mobilities: 6. Moving in the city: the translation of 1636 7. Mobile in print: the procession on paper 8. Multiplied: the Madonna of the Fire in Forlì and beyond.
Part I. Thing: 1. Iconography: Madonna and child 2. Imprint: paper, print, and matrix Part II. Emplacement: 3. Miracle: the fire of February 4, 1428 4. Domestic display: Lombardino da Ripetrosa's schoolhouse 5. Ecclesiastical enshrinement: the cathedral of Forlì Part III. Mobilities: 6. Moving in the city: the translation of 1636 7. Mobile in print: the procession on paper 8. Multiplied: the Madonna of the Fire in Forlì and beyond.
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