Curiosity can be a snare and, because of his curiosity back in the nineteen-sixties whilst conducting an unusual experiment, Professor Charles Villiers and his colleague, Dick Martell, disappear. Some fifty years later, Harry Stanway decides to investigate. In Villiers' disused laboratory in Repository One at MoD Kineton, what Harry opens up threatens the destruction of the Prime Reality. Can Jem Darden and SHaFT find a way to avert impending doom? Read on, in 'A Question of Realities'.
Curiosity can be a snare and, because of his curiosity back in the nineteen-sixties whilst conducting an unusual experiment, Professor Charles Villiers and his colleague, Dick Martell, disappear. Some fifty years later, Harry Stanway decides to investigate. In Villiers' disused laboratory in Repository One at MoD Kineton, what Harry opens up threatens the destruction of the Prime Reality. Can Jem Darden and SHaFT find a way to avert impending doom? Read on, in 'A Question of Realities'.
J.J. Overton is from Coventry, in England's industrial West Midlands. He served an apprenticeship as a precision toolmaker, studied mechanical engineering, and is a Freeman of the City of Coventry. He was a director of Grey and Rushton Precision Tools, and subsequently was involved with quality control, at industrial giants, Alfred Herbert Machine Tools, Massey-Ferguson, and Courtaulds Structural Composites. In later years, before devoting more time to writing, he was a self-employed stained glass artist. His native Warwickshire, with its rich, and sometimes turbulent history, influences his writing. He is married, and has two adult sons.
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