34,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 6-10 Tagen
payback
17 °P sammeln
  • Broschiertes Buch

This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception.
A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact
…mehr

Produktbeschreibung
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception.

A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography, museological practice, the intellectual history of the arts and sciences, material culture studies and intangible heritage, the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory.

This text will be of key interest to students and scholars in the social and historical sciences, arts and humanities, and cognitive sciences.
Rezensionen
'This book is at once penetrating and kaleidoscopic, full of exposition coupled with evocative ethnographic illustration. It extends Gell's ideas into new domains... The synthesis is extraordinary. Ranging across time and space and diversity of perspectives compared and contrasted, this volume will take its place alongside others-one thinks of The Savage Mind, Purity and Danger.'





- Frederick H. Damon, University of Virginia