This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception.
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception.
Susanne Küchler is Professor of Anthropology and Material Culture at University College London. Timothy Carroll is a UK Research and Innovation Future Leader Fellow in Anthropology at University College London.
Inhaltsangabe
Introduction: Gell and his influences Part I: Rethinking the frame Chapter 1: Lessons from the Art Nexus Chapter 2: The index and indexicality Chapter 3: The prototype and the model Chapter 4: Immanent relationality and its consequences Part II: Following the Prototype Chapter 5: Virtuosity and style Chapter 6: Aesthetics and the ethics of relation Chapter 7: Generativity and transformation Chapter 8: Agency (social) Part III: Rediscovering the object Chapter 9: Material agency Chapter 10: Colour, Palette and Gestalt Chapter 11: Patterns and their Transposition Chapter 12: Motile Animacy
Introduction: Gell and his influences Part I: Rethinking the frame Chapter 1: Lessons from the Art Nexus Chapter 2: The index and indexicality Chapter 3: The prototype and the model Chapter 4: Immanent relationality and its consequences Part II: Following the Prototype Chapter 5: Virtuosity and style Chapter 6: Aesthetics and the ethics of relation Chapter 7: Generativity and transformation Chapter 8: Agency (social) Part III: Rediscovering the object Chapter 9: Material agency Chapter 10: Colour, Palette and Gestalt Chapter 11: Patterns and their Transposition Chapter 12: Motile Animacy
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