"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--P. [4] of cover.
"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--P. [4] of cover.
List of Illustrations ix Acknowledgments xiii Organization of the Volumes xxi A Word about Illustrations xxvii Preface. How It All Began xxix Introduction. National Cinema, Modernity, and Iranian National Identity 1 1. Artisanal Silent Cinema in the Qajar Period 27 2. Ideological and Spectatorial Formations 71 3. State Formation and Nonfiction Cinema: Syncretic Westernization during the First Pahlavi Period 141 4. A Transitional Cinema: The Feature Film Industry and Sound Cinema 197 5. Modernity's Ambivalent Subjectivity: Dandies and the Dandy Movie Genre 277 Notes 309 Bibliography 343 Index 371
List of Illustrations ix Acknowledgments xiii Organization of the Volumes xxi A Word about Illustrations xxvii Preface. How It All Began xxix Introduction. National Cinema, Modernity, and Iranian National Identity 1 1. Artisanal Silent Cinema in the Qajar Period 27 2. Ideological and Spectatorial Formations 71 3. State Formation and Nonfiction Cinema: Syncretic Westernization during the First Pahlavi Period 141 4. A Transitional Cinema: The Feature Film Industry and Sound Cinema 197 5. Modernity's Ambivalent Subjectivity: Dandies and the Dandy Movie Genre 277 Notes 309 Bibliography 343 Index 371
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