Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Hamid Naficy is Professor of Radio-Television-Film and the Hamad Bin Khalifa Al-Thani Professor in Communication at Northwestern University. He is the author of An Accented Cinema: Exilic and Diasporic Filmmaking, The Making of Exile Cultures: Iranian Television in Los Angeles, and (in Persian) Film-e Mostanad, a two-volume history of nonfiction cinema around the world. Naficy helped to launch ongoing annual Iranian film festivals in Los Angeles and Houston.
Inhaltsangabe
List of Illustrations ix Acknowledgments xiii Organization of the Volumes xxi A Word about Illustrations xxvii List of Abbreviations xxix 1. International Haggling over Iranian Public Screens 1 2. The Statist Documentary Cinema and Its Alternatives 49 3. Commercial Cinema's Evolution: From Artisanal Mode to Hybrid Production 147 4. Family Melodramas and Comedies: The Stewpot Movie Genre 197 5. Males, Masculinity, and Power: The Tough-Guy Movie Genre and Its Evolution 261 6. A Dissident Cinema: New-Wave Films and the End of an Era 325 Notes 433 Bibliography 473 Index 497
List of Illustrations ix Acknowledgments xiii Organization of the Volumes xxi A Word about Illustrations xxvii List of Abbreviations xxix 1. International Haggling over Iranian Public Screens 1 2. The Statist Documentary Cinema and Its Alternatives 49 3. Commercial Cinema's Evolution: From Artisanal Mode to Hybrid Production 147 4. Family Melodramas and Comedies: The Stewpot Movie Genre 197 5. Males, Masculinity, and Power: The Tough-Guy Movie Genre and Its Evolution 261 6. A Dissident Cinema: New-Wave Films and the End of an Era 325 Notes 433 Bibliography 473 Index 497
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