In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Illustrations xi Acknowledgments xv Organization of the Volumes xxi A Word about Illustrations xxvii Abbreviations xxix 1. The Resurgence of Nonfiction Cinema: Postrevolutionary Documentaries and Fiction War Films 1 2. Under Cover, on Screen: Women's Representation and Women's Cinema 92 3. All Certainties Melt into Thin Air: Art-House Cinema, a "Postal" Cinema 175 4. Emergent Contestatory Films, Media Culture, and Public Diplomacy 269 5. Iranian, but with a Different Accent: A Cinema of Displacement or a Displaced Cinema? 369 Appendix A: Iranian Films in Distribution 513 Appendix B: Film House of Iran's Film Collection 515 Appendix C: International Film and Video Center Iranian Film Collection 520 Notes 523 Bibliography 559 Index 591
Illustrations xi Acknowledgments xv Organization of the Volumes xxi A Word about Illustrations xxvii Abbreviations xxix 1. The Resurgence of Nonfiction Cinema: Postrevolutionary Documentaries and Fiction War Films 1 2. Under Cover, on Screen: Women's Representation and Women's Cinema 92 3. All Certainties Melt into Thin Air: Art-House Cinema, a "Postal" Cinema 175 4. Emergent Contestatory Films, Media Culture, and Public Diplomacy 269 5. Iranian, but with a Different Accent: A Cinema of Displacement or a Displaced Cinema? 369 Appendix A: Iranian Films in Distribution 513 Appendix B: Film House of Iran's Film Collection 515 Appendix C: International Film and Video Center Iranian Film Collection 520 Notes 523 Bibliography 559 Index 591
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