A Sportsman's Sketches, Volume II (Esprios Classics) - Turgenev, Ivan
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A Sportsman's Sketches (also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 collection of short stories by Ivan Turgenev. It was the first major writing that gained him recognition. This work is part of the Russian realist tradition in that the narrator is usually an uncommitted observer of the people he meets. The stories were first published singly in The Contemporary before appearing in 1852 in book form. Turgenev was about to give up writing when the first story, "Khor and Kalinich", was well received. The work as a whole actually led to…mehr

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Produktbeschreibung
A Sportsman's Sketches (also known as A Sportman's Notebook, The Hunting Sketches and Sketches from a Hunter's Album) is an 1852 collection of short stories by Ivan Turgenev. It was the first major writing that gained him recognition. This work is part of the Russian realist tradition in that the narrator is usually an uncommitted observer of the people he meets. The stories were first published singly in The Contemporary before appearing in 1852 in book form. Turgenev was about to give up writing when the first story, "Khor and Kalinich", was well received. The work as a whole actually led to Turgenev's house arrest (part of the reason, the other being his epitaph to Nikolai Gogol) at Spasskoye.
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Autorenporträt
Ivan Sergeyevich Turgenev (1818 - 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction. Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one" and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".