This book examines Vienna’s Burgtheater, the most prestigious German-language stage in the nineteenth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martin Wagner is an associate professor of German at the University of Calgary.
Inhaltsangabe
Introduction: Reassessing the Mid-Nineteenth-Century Burgtheater 1. What Makes a Theatre Politically Significant? 2. Making the Burgtheater Repertoire 3. The Scope of the Burgtheater Repertoire 4. Mourning and Reforming Obedience 5. Performing the Women’s Movement 6. The Drama of National and Regional Belonging Conclusion: The Mid-Nineteenth-Century Burgtheater as a Case Study Works Cited Index
Introduction: Reassessing the Mid-Nineteenth-Century Burgtheater 1. What Makes a Theatre Politically Significant? 2. Making the Burgtheater Repertoire 3. The Scope of the Burgtheater Repertoire 4. Mourning and Reforming Obedience 5. Performing the Women’s Movement 6. The Drama of National and Regional Belonging Conclusion: The Mid-Nineteenth-Century Burgtheater as a Case Study Works Cited Index
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