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A tribute to Henry W. Sullivan in celebration of his 80th birthday, this volume encompasses a wide spectrum of Hispanic literary scholarship to honor a prolific scholar whose contributions have been extensive, not only as a Golden Age Hispanist but also as a devoted Lacanian scholar, literary critic, translator, poet, novelist, playwright, and composer. The title of the collection comes directly from Sullivan's recent study on tragic drama in the Golden Age of Spain. Even though the "ghost" he attempts to lay there is the critical controversy around defining and classifying tragedy among…mehr

Produktbeschreibung
A tribute to Henry W. Sullivan in celebration of his 80th birthday, this volume encompasses a wide spectrum of Hispanic literary scholarship to honor a prolific scholar whose contributions have been extensive, not only as a Golden Age Hispanist but also as a devoted Lacanian scholar, literary critic, translator, poet, novelist, playwright, and composer. The title of the collection comes directly from Sullivan's recent study on tragic drama in the Golden Age of Spain. Even though the "ghost" he attempts to lay there is the critical controversy around defining and classifying tragedy among Spanish classic comedias, the label extends and applies to Sullivan's lifelong commitment to the relevance of Spanish drama of the Golden Age within the universal canon, especially from an English-language perspective. Moreover, his arguments are easily applicable in defense of the Humanities and the significance of Literature amid the unwelcome structural changes in Academia.

Autorenporträt
Raúl A. Galoppe is Associate Professor and former Chair of the Department of Spanish and Latino Studies (2016-2022) at Montclair State University, as well as a Fulbright scholar (Argentina, 2012). He holds a Ph.D. in Spanish literature from the University of Missouri-Columbia. He is the author of Género y confusión en el teatro de Tirso de Molina (2000) and many articles in Spanish classical theater and Latino film studies. As an editor, he published three collections: Tirso de Molina: His Originality Then and Now, La comedia española y el teatro europeo del siglo XVII (with Henry W. Sullivan), and A Fine Line: Explorations in Subjectivity, Borders, and Demarcation (with Richard Weiner).