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This study explores, analyses and discusses the development and evolution of Zimbabwean gospel music from 1980 up to 2007. A general overview of gospel music in Zimbabwe is given and relevant literature on gospel music is reviewed. Selected Zimbabwean gospel musicians and their music are discussed. This study mainly employs the survey method in which questionnaires, observation and document's review and analysis are used as instruments of data collection.Gender issues and the effects of foreign and indigenous music on Zimbabwean gospel music are explored and analysed. Political and…mehr

Produktbeschreibung
This study explores, analyses and discusses the development and evolution of Zimbabwean gospel music from 1980 up to 2007. A general overview of gospel music in Zimbabwe is given and relevant literature on gospel music is reviewed. Selected Zimbabwean gospel musicians and their music are discussed. This study mainly employs the survey method in which questionnaires, observation and document's review and analysis are used as instruments of data collection.Gender issues and the effects of foreign and indigenous music on Zimbabwean gospel music are explored and analysed. Political and socio-economic influences on Zimbabwean gospel music are the main focus. Socio-economic hardships crept in as a result of the government's implementation of neo-liberal economic reforms and the government soon found itself confronted by a multitude of gospel musicians criticizing its policies and malpractices. Works of various gospel artistes are used as evidence.Research results are presented, interpreted and analysed and these provide implications on the future success of Zimbabwean gospel music. Recommendations on the development of Zimbabwean gospel music are also given.
Autorenporträt
Gadziro Gwekwerere is a lecturer at Great Zimbabwe University. She obtained a Certificate in Education and a Bachelor of Education degree from the University of Zimbabwe in 1987 and 1995 respectively. She later obtained an MA from the University of Reading in 2000 and a Doctorate in Music from the University of Pretoria in 2010.