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Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.

Produktbeschreibung
Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.
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Autorenporträt
William Edgar (DThéol, Université de Genève) is professor of apologetics and coordinator of the apologetics department at Westminster Theological Seminary in Philadelphia as well as professeur associé at the Faculté Jean Calvin in Aix-en-Provence, France. He is the author of several books, including Created and Creating: A Biblical Theology of Culture; Reasons of the Heart: Recovering Christian Persuasion; Does Christianity Really Work? ; The Christian Mind: Escaping Futility; A Transforming Vision: The Lord's Prayer as a Lens for Life; Francis Schaeffer on the Christian Life; and Christian Apologetics Past and Present.