Preface 1. The Stave 2. Harmony as derived from natural phenomena 3. Different positions of the tonic triad 4. General paradigm of harmonics 5. The minor mode deducible from nature 6. Natural origin of the chord of the minor ninth 7. Descending minor scale 8. New discords 9. Retardations 10. Sequences of dominant sevenths 11. Origin of secondary roots, in nature 12. Chord of the minor seventh and minor third 13. Cadences 14. Cadences of modulation 15. Irregular modulations by the chord of the dominant seventh 16. Formation of sequences of sevenths and ninths, without modulation 17. The pedal or 'point d'orgue' 18. Broken harmony Exercises on the preceding chapters Short examples from the works of various great masters.
Preface 1. The Stave 2. Harmony as derived from natural phenomena 3. Different positions of the tonic triad 4. General paradigm of harmonics 5. The minor mode deducible from nature 6. Natural origin of the chord of the minor ninth 7. Descending minor scale 8. New discords 9. Retardations 10. Sequences of dominant sevenths 11. Origin of secondary roots, in nature 12. Chord of the minor seventh and minor third 13. Cadences 14. Cadences of modulation 15. Irregular modulations by the chord of the dominant seventh 16. Formation of sequences of sevenths and ninths, without modulation 17. The pedal or 'point d'orgue' 18. Broken harmony Exercises on the preceding chapters Short examples from the works of various great masters.
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