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"From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Måaori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngåati Porou carving and a profound transformation in Måaori art."--Publisher information.

Produktbeschreibung
"From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Måaori carving went through a rapid evolution from 1830 to 1930. Focusing on thirty meeting houses, Ngarino Ellis tells the story of Ngåati Porou carving and a profound transformation in Måaori art."--Publisher information.
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Autorenporträt
Ngarino Ellis (Ngapuhi, Ngati Porou) is a senior lecturer in Art History and co-ordinator of the Museums and Cultural Heritage Programme at the University of Auckland. She is the co-editor with Deidre Brown of Te Puna: Maori Art from Northland (Reed, 2007) and with Witi Ihimaera of Te Ata: Maori Art from the East Coast, New Zealand (Reed, 2002), as well as the author of a number of scholarly articles. Natalie Robertson (Ngati Porou, Clann Dhònnchaidh) is a photographic artist and senior lecturer at AUT University. Robertson has an MFA from the University of Auckland. She has exhibited extensively in public institutions throughout New Zealand and internationally, including a solo exhibition, Te Ahikaroa: Home Fires Burning (2014), at the C. N. Gorman Museum at the University of California, Davis, in 2014.