At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariana von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Dr Mark Peters presents the first comprehensive account of this repertory, providing a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.
At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariana von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Dr Mark Peters presents the first comprehensive account of this repertory, providing a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr Mark A. Peters is Associate Professor of Music at Trinity Christian College, USA. His publications include articles in BACH: Journal of the Riemenschneider Bach Institute and the monograph Claude Debussy As I Knew Him and Other Writings of Arthur Hartmann (2003), with Samuel Hsu and Sidney Grolnic. In 2006, Peters received the William H. Scheide prize from the American Bach Society for his article, A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas (BACH, 2005).
Inhaltsangabe
Contents: Introduction: Mariane von Ziegler and J.S. Bach Woman's voice: Mariane von Ziegler as poet Anonymous voice: Mariane von Ziegler's sacred cantata texts Divine voice: the significance of the Vox Christi for Ziegler and for Bach The composer's voice: Bach's compositional procedures in the Ziegler cantatas Woman's voice restored: the reception of the Ziegler cantatas and their significance in Bach's output Appendices Select bibliography Indexes.
Contents: Introduction: Mariane von Ziegler and J.S. Bach Woman's voice: Mariane von Ziegler as poet Anonymous voice: Mariane von Ziegler's sacred cantata texts Divine voice: the significance of the Vox Christi for Ziegler and for Bach The composer's voice: Bach's compositional procedures in the Ziegler cantatas Woman's voice restored: the reception of the Ziegler cantatas and their significance in Bach's output Appendices Select bibliography Indexes.
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