A Year of Shakespeare
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A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event. A Year of Shakespeare provides:. a ground-breaking collection of…mehr

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Produktbeschreibung
A Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:. a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;. a dynamic visual record through a wide range of production photographs;. incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up.
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Autorenporträt
Paul Edmondson is Head of Research and Knowledge for The Shakespeare Birthplace Trust and a priest in The Church of England. Paul Prescott is an Associate Professor at the University of Warwick, a specialist in Shakespeare theatre reviewing, and a teaching associate for The Royal Shakespeare Company. Erin Sullivan is a Lecturer, Fellow, and the Distance Learning Co-ordinator at The Shakespeare Institute, University of Birmingham
Rezensionen
This is an extraordinary collection of essays recording the events of the World Shakespeare Festival, summoning up its kaleidoscopic diversity, its global reach, its oddities, triumphs and provocations- it's Shakespeare criticism as you have never encountered it before, scholarly, experimental, instant, and at times bizarre. It takes Shakespeare from the stage and academe into the age of Twitter and Facebook, and makes you feel you were there, present at all those strange and wonderful productions you missed. It's an exhilarating record of a great and successful Shakespearean adventure. Dame Margaret Drabble