The book is the first edited collection in English on Moroccan author Abdellah Taïa and frames the distinctiveness of his migration by considering current scholarship in French and Francophone studies, post-colonial studies, affect theory, queer theory, and language and sexuality.
The book is the first edited collection in English on Moroccan author Abdellah Taïa and frames the distinctiveness of his migration by considering current scholarship in French and Francophone studies, post-colonial studies, affect theory, queer theory, and language and sexuality.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Denis M. Provencher and Siham Bouamer - Contributions by Ralph Heyndels; Olivier Le Blond; Daniel Maroun; Ryan K. Schroth; Jean-Pierre Boulé; Thomas Muzart; Philippe Panizzon; Antoine Idier and Abdellah Taïa
Inhaltsangabe
Introduction: Reconsidering Abdellah Taïa's Queer Migration Denis M. Provencher and Siham Bouamer Part One: On Place and Non-Place 1"Sortir de tous les territoires": To Be a Racialized and Colonized Subject within France Today. Is There for Abdellah Taïa a There Where to Go and to Exist? Ralph Heyndels 2Sexual Fluidity and Movements in Abdellah Taïa's L'armée du salut: The Birth of a Queer Moroccan Francophone Identity Olivier Le Blond 3Marginal Masculinities: Disidentifying Sexual Performativity Across Abdellah Taïa's Novels Daniel Maroun Part Two: Affective Migration 4He Loves Me, He Loves Me Not: Cruel Optimism in Abdellah Taïa's L'armée du salut Siham Bouamer 5Queerness, Shame, and the Family in Abdellah Taïa's Epistolary Writing Ryan K. Schroth 6Mourning and Reconciliation: Anger, Politics, and Love Jean-Pierre Boulé Part Three: Postcolonial Temporalities 7Abdellah Taïa's Melancholic Migration: Oscillation between Solitude and Multitude Thomas Muzart 8From the "Garçon du bled" to Tintin's Dog: The Interplay between Race and Sex in Abdellah Taïa's Un pays pour mourir and Celui qui est digne d'être aimé Philippe Panizzon 9Adbellah Taïa's Transflilial Myth Making and Unfaithful Realms of Memory Denis M. Provencher Part Four: New Directions and Conclusions 10The Voices of Reappropriation Antoine Idier 11Des hommes fatigués Abdellah Taïa 12 Tired Men Abdellah Taïa translated by Denis M. Provencher Conclusion: New Directions for Abdellah Taïa and the Field Denis M. Provencher and Siham Bouamer
Introduction: Reconsidering Abdellah Taïa's Queer Migration Denis M. Provencher and Siham Bouamer Part One: On Place and Non-Place 1"Sortir de tous les territoires": To Be a Racialized and Colonized Subject within France Today. Is There for Abdellah Taïa a There Where to Go and to Exist? Ralph Heyndels 2Sexual Fluidity and Movements in Abdellah Taïa's L'armée du salut: The Birth of a Queer Moroccan Francophone Identity Olivier Le Blond 3Marginal Masculinities: Disidentifying Sexual Performativity Across Abdellah Taïa's Novels Daniel Maroun Part Two: Affective Migration 4He Loves Me, He Loves Me Not: Cruel Optimism in Abdellah Taïa's L'armée du salut Siham Bouamer 5Queerness, Shame, and the Family in Abdellah Taïa's Epistolary Writing Ryan K. Schroth 6Mourning and Reconciliation: Anger, Politics, and Love Jean-Pierre Boulé Part Three: Postcolonial Temporalities 7Abdellah Taïa's Melancholic Migration: Oscillation between Solitude and Multitude Thomas Muzart 8From the "Garçon du bled" to Tintin's Dog: The Interplay between Race and Sex in Abdellah Taïa's Un pays pour mourir and Celui qui est digne d'être aimé Philippe Panizzon 9Adbellah Taïa's Transflilial Myth Making and Unfaithful Realms of Memory Denis M. Provencher Part Four: New Directions and Conclusions 10The Voices of Reappropriation Antoine Idier 11Des hommes fatigués Abdellah Taïa 12 Tired Men Abdellah Taïa translated by Denis M. Provencher Conclusion: New Directions for Abdellah Taïa and the Field Denis M. Provencher and Siham Bouamer
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