Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.
Leticia Alvarado explores how Latino artists and cultural producers have developed and deployed an irreverent aesthetics of abjection to resist assimilation and disrupt respectability politics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Leticia Alvarado is Assistant Professor of American Studies at Brown University.
Inhaltsangabe
Acknowledgments ix Introduction. Sublime Abjection 1 1. Other Desires: Ana Mendieta's Abject Imaginings 25 2. Phantom Assholes: Asco's Affective Vortex 57 3. Of Betties Decorous and Abject: Ugly Betty's America la fea and Nao Bustamante's America la bella 89 4. Arriving at Apostasy: Performative Testimonies of Ambivalent Belonging 131 Conclusion. Abject Embodiment 161 Notes 167 Bibliography 193 Index 209
Acknowledgments ix Introduction. Sublime Abjection 1 1. Other Desires: Ana Mendieta's Abject Imaginings 25 2. Phantom Assholes: Asco's Affective Vortex 57 3. Of Betties Decorous and Abject: Ugly Betty's America la fea and Nao Bustamante's America la bella 89 4. Arriving at Apostasy: Performative Testimonies of Ambivalent Belonging 131 Conclusion. Abject Embodiment 161 Notes 167 Bibliography 193 Index 209
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