This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous/non-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.
This unique study tracks the way the Aboriginal art phenomenon has mediated Indigenous/non-indigenous relations in Australia. It illuminates the utopian and dystopian currents of thought that have arisen in relation to the art, and the contradictory social and political aspirations to which it has been anchored in public culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laura Fisher is a sociologist and art historian based in Sydney, Australia. She is pursuing a range of research interests around art in the public domain, visionary outdoor environments, the cultural economy and Aboriginal art. She is currently a post-doctoral research fellow at Sydney College of the Arts, University of Sydney.
Inhaltsangabe
Introduction Part I: Governance, Nationhood and Civil Society Chapter 1: New Intercultural Relationships in the Post-Assimilation Era Chapter 2: Aboriginal People Mobilising Aboriginal Art Chapter 3: Understanding Aboriginal Art Subsidy Chapter 4: The State Mobilising Aboriginal Art Chapter 5: 'Aboriginal culture' at the Nexus of Justice, Recognition and Redemption Part II: Contemporary Aboriginal Art in the 1980s Chapter 6: The Emergence of Aboriginal Art in the 1980s Part III: Negotiating Difference Chapter 7: Negotiation Aboriginal Difference Chapter 8: The Art/Anthropology Binary Part IV: Aboriginal Art, Money and the Market Chapter 9: Ethics and Exploitation in the Aboriginal Art Market Chapter 10: 'Aboriginal Mass Culture' and the Cultural Industries Conclusion.
Introduction Part I: Governance, Nationhood and Civil Society Chapter 1: New Intercultural Relationships in the Post-Assimilation Era Chapter 2: Aboriginal People Mobilising Aboriginal Art Chapter 3: Understanding Aboriginal Art Subsidy Chapter 4: The State Mobilising Aboriginal Art Chapter 5: 'Aboriginal culture' at the Nexus of Justice, Recognition and Redemption Part II: Contemporary Aboriginal Art in the 1980s Chapter 6: The Emergence of Aboriginal Art in the 1980s Part III: Negotiating Difference Chapter 7: Negotiation Aboriginal Difference Chapter 8: The Art/Anthropology Binary Part IV: Aboriginal Art, Money and the Market Chapter 9: Ethics and Exploitation in the Aboriginal Art Market Chapter 10: 'Aboriginal Mass Culture' and the Cultural Industries Conclusion.
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