Conceived as an object biography, this book contextualizes Iraqi artist Hanaa Malallah's art book The God Marduk (2008) and investigates her use of the ancient past as a conduit for aesthetic and emotive expression offering an in-depth analysis through the methodology of phenomenology.
Conceived as an object biography, this book contextualizes Iraqi artist Hanaa Malallah's art book The God Marduk (2008) and investigates her use of the ancient past as a conduit for aesthetic and emotive expression offering an in-depth analysis through the methodology of phenomenology.
Tiffany Floyd received her PhD in Art History from Columbia University with a dissertation centered on modern and contemporary art in Iraq. She is currently an adjunct faculty member of the Department of Art History at the University of North Texas.
Inhaltsangabe
Introduction: Hanaa Malallah and the Eighties Generation Chapter 1: Absence and Ruin: Archaeology as Artistic Technique Chapter 2: The God Marduk: A Phenomenological Reading Chapter 3: The God Marduk: An Interpretation Conclusion: Absence and Aspiration: Iraqi Art Post-2003
Introduction: Hanaa Malallah and the Eighties Generation Chapter 1: Absence and Ruin: Archaeology as Artistic Technique Chapter 2: The God Marduk: A Phenomenological Reading Chapter 3: The God Marduk: An Interpretation Conclusion: Absence and Aspiration: Iraqi Art Post-2003
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