Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Natalie Ferris is a Leverhulme Trust Early Career Fellow in the School of Literatures, Languages & Cultures at the University of Edinburgh. She is the Deputy Editor of The Cambridge Humanities Review and is the co-founder and convenor of the Christine Brooke-Rose Society.
Inhaltsangabe
* Introduction: A 'World out of Gear': The Question of Abstraction in Post-War Britain * 1: Visual Signs: Abstraction, Poetry and The Pope of Modern Art * 2: A New Cohesive Element: Ian Hamilton Finlay, Abstract Art and the Abolition of Syntax * 3: Objects, Concepts, Installations, Bookworks: Literature in an Expanding Field * 4: 'Seeing comes before words': New Frames of Perception on Page and Screen in John Berger, Christine Brooke-Rose and B.S. Johnson
* Introduction: A 'World out of Gear': The Question of Abstraction in Post-War Britain * 1: Visual Signs: Abstraction, Poetry and The Pope of Modern Art * 2: A New Cohesive Element: Ian Hamilton Finlay, Abstract Art and the Abolition of Syntax * 3: Objects, Concepts, Installations, Bookworks: Literature in an Expanding Field * 4: 'Seeing comes before words': New Frames of Perception on Page and Screen in John Berger, Christine Brooke-Rose and B.S. Johnson
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