Explores the history of Acco Festival for Other Israeli Theatre from 1980-2012 as a site of celebration and confrontation. Acco Festival is a borderland bringing together established directors from the center of the field with alternative artists outside of it, as well as bringing together the center's hegemony and Acco's Jewish and Arab residents.
Explores the history of Acco Festival for Other Israeli Theatre from 1980-2012 as a site of celebration and confrontation. Acco Festival is a borderland bringing together established directors from the center of the field with alternative artists outside of it, as well as bringing together the center's hegemony and Acco's Jewish and Arab residents.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Naphtaly Shem-Tov is a senior lecturer in the Department of Literature, Language and the Arts at The Open University of Israel. His research focuses on social aspects of Israeli theatre and applied theatre. Shem-Tov¿s publications include the Hebrew-language book Improvisational Teaching (Tel-Aviv: MOFET), which examines improvisation as a pedagogical tool and a mode of knowing.
Inhaltsangabe
Preface and Acknowledgements Introduction Chapter One: Artistic Direction and the Political: Exception Takes the Stage? Chapter Two: Performance Repertoire: Representations of Social Conflicts Chapter Three: Organization, Budget, and Infrastructure: Between Center and Periphery Chapter Four: Festival Reception: Judgment, Criticism, and Audience Chapter Five: Host Community: Policy and Resistance References
Preface and Acknowledgements Introduction Chapter One: Artistic Direction and the Political: Exception Takes the Stage? Chapter Two: Performance Repertoire: Representations of Social Conflicts Chapter Three: Organization, Budget, and Infrastructure: Between Center and Periphery Chapter Four: Festival Reception: Judgment, Criticism, and Audience Chapter Five: Host Community: Policy and Resistance References
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