Accomplishing Cultural Policy in Europe
Financing, Governance and Responsiveness
Herausgeber: Mathieu, Christopher; Visanich, Valerie
Accomplishing Cultural Policy in Europe
Financing, Governance and Responsiveness
Herausgeber: Mathieu, Christopher; Visanich, Valerie
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This book investigates the activities undertaken by the variety of actors that contribute to accomplishing cultural policy in Europe. These range from policy formulation and administration at the national and local levels, to artistic and cultural production activities to institutional governance.
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This book investigates the activities undertaken by the variety of actors that contribute to accomplishing cultural policy in Europe. These range from policy formulation and administration at the national and local levels, to artistic and cultural production activities to institutional governance.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- The Sociology and Management of the Arts
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 228
- Erscheinungstermin: 30. August 2022
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 488g
- ISBN-13: 9781032226873
- ISBN-10: 1032226870
- Artikelnr.: 64035057
- The Sociology and Management of the Arts
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 228
- Erscheinungstermin: 30. August 2022
- Englisch
- Abmessung: 240mm x 161mm x 17mm
- Gewicht: 488g
- ISBN-13: 9781032226873
- ISBN-10: 1032226870
- Artikelnr.: 64035057
Chris Mathieu is Associate Professor at the Department of Sociology at Lund University, Sweden. His research is primarily in the fields of the sociology of work and organisations, and the sociology of the arts, especially where these fields intersect. He has studies and written on film production, film schools, film institutes, and photography, as well as jury-based prize allocation processes at film festivals. He is the editor of Careers in Creative Industries (Routledge) and is Coordinator of the European Sociological Association's Research Network 02 (RN02) on the Sociology of the Arts. Valerie Visanich is a Senior Lecturer in the Department of Sociology at the University of Malta. She is one of the authors of Malta's National Cultural Policy (2020-2025) and the co-founder of the Malta Sociological Association. Valerie held the position of coordinator of Research Network Sociology of the Arts (RN02) within the European Sociological Association (ESA), between 2017-2019, to which she is currently a board member. She is the author of Education, Individualization and Neoliberalism, Youth in Southern Europe. Her research interests are within the field of Sociology of the Arts, Cultural Policy, Generational studies, and Sociology of Emotions.
Chapter 1: Accomplishing Cultural Policy in Europe: connections and
illustrations
Chris Mathieu and Valerie Visanich
Section 1: The commercialization of culture and counter-reactions
Chapter 2: Cultural policies in Madrid and Barcelona during the
"governments of change" (2015-2019): Towards a post-creative city?
Mariano Martín Zamorano
Chapter 3: The rise and fall of cultural and creative industries policy in
Sweden
Katja Lindqvist
Chapter 4: Emerging rationalities in urban cultural policy making
processes: challenging market-centred cultural policy in the city of
Barcelona
Victoria Sánchez Belando and Matias Zarlenga
Section 2: Processes for social inclusion in cultural policies
Chapter 5: Crisis as change: new paradigms in cultural policy. The case of
Greece.
Olga Kolokytha
Chapter 6: Sounds of a Porte Ouverte: How Cultural Policies Encounter
Musical Diversity in Southeastern France
Aleysia Whitmore
Chapter 7: Mainstreaming Ageing in Austrian Cultural Organisations and
Cultural Policy
Vera Gallistl, Gerhard Geiger and Tasos Zembylas
Section 3: Follow the money? The politics and effects of arts funding
Chapter 8: Comparative study of European policies for ethical fundraising
in museums
Marie Ballarini and Marek Prokupek
Chapter 9: On subject's side: negotiation of objectives and urban
imaginaries in two community projects in the island of Malta
Virginia Monteforte
Chapter 10: Developments in visual arts policy: grant distributions,
applicants' characteristics, types of art, and legitimations for grant
money in Flanders (Belgium), 1965-2015
Julia Peters and Henk Roose
Section 4: Good governance and vested interests in cultural policies
Chapter 11: The German theatre system and the limited impact of cultural
policy on governance and management of public theatres
Thomas Schmidt
Chapter 12: Artistic quality in the audit society
Sigrid Røyseng
illustrations
Chris Mathieu and Valerie Visanich
Section 1: The commercialization of culture and counter-reactions
Chapter 2: Cultural policies in Madrid and Barcelona during the
"governments of change" (2015-2019): Towards a post-creative city?
Mariano Martín Zamorano
Chapter 3: The rise and fall of cultural and creative industries policy in
Sweden
Katja Lindqvist
Chapter 4: Emerging rationalities in urban cultural policy making
processes: challenging market-centred cultural policy in the city of
Barcelona
Victoria Sánchez Belando and Matias Zarlenga
Section 2: Processes for social inclusion in cultural policies
Chapter 5: Crisis as change: new paradigms in cultural policy. The case of
Greece.
Olga Kolokytha
Chapter 6: Sounds of a Porte Ouverte: How Cultural Policies Encounter
Musical Diversity in Southeastern France
Aleysia Whitmore
Chapter 7: Mainstreaming Ageing in Austrian Cultural Organisations and
Cultural Policy
Vera Gallistl, Gerhard Geiger and Tasos Zembylas
Section 3: Follow the money? The politics and effects of arts funding
Chapter 8: Comparative study of European policies for ethical fundraising
in museums
Marie Ballarini and Marek Prokupek
Chapter 9: On subject's side: negotiation of objectives and urban
imaginaries in two community projects in the island of Malta
Virginia Monteforte
Chapter 10: Developments in visual arts policy: grant distributions,
applicants' characteristics, types of art, and legitimations for grant
money in Flanders (Belgium), 1965-2015
Julia Peters and Henk Roose
Section 4: Good governance and vested interests in cultural policies
Chapter 11: The German theatre system and the limited impact of cultural
policy on governance and management of public theatres
Thomas Schmidt
Chapter 12: Artistic quality in the audit society
Sigrid Røyseng
Chapter 1: Accomplishing Cultural Policy in Europe: connections and
illustrations
Chris Mathieu and Valerie Visanich
Section 1: The commercialization of culture and counter-reactions
Chapter 2: Cultural policies in Madrid and Barcelona during the
"governments of change" (2015-2019): Towards a post-creative city?
Mariano Martín Zamorano
Chapter 3: The rise and fall of cultural and creative industries policy in
Sweden
Katja Lindqvist
Chapter 4: Emerging rationalities in urban cultural policy making
processes: challenging market-centred cultural policy in the city of
Barcelona
Victoria Sánchez Belando and Matias Zarlenga
Section 2: Processes for social inclusion in cultural policies
Chapter 5: Crisis as change: new paradigms in cultural policy. The case of
Greece.
Olga Kolokytha
Chapter 6: Sounds of a Porte Ouverte: How Cultural Policies Encounter
Musical Diversity in Southeastern France
Aleysia Whitmore
Chapter 7: Mainstreaming Ageing in Austrian Cultural Organisations and
Cultural Policy
Vera Gallistl, Gerhard Geiger and Tasos Zembylas
Section 3: Follow the money? The politics and effects of arts funding
Chapter 8: Comparative study of European policies for ethical fundraising
in museums
Marie Ballarini and Marek Prokupek
Chapter 9: On subject's side: negotiation of objectives and urban
imaginaries in two community projects in the island of Malta
Virginia Monteforte
Chapter 10: Developments in visual arts policy: grant distributions,
applicants' characteristics, types of art, and legitimations for grant
money in Flanders (Belgium), 1965-2015
Julia Peters and Henk Roose
Section 4: Good governance and vested interests in cultural policies
Chapter 11: The German theatre system and the limited impact of cultural
policy on governance and management of public theatres
Thomas Schmidt
Chapter 12: Artistic quality in the audit society
Sigrid Røyseng
illustrations
Chris Mathieu and Valerie Visanich
Section 1: The commercialization of culture and counter-reactions
Chapter 2: Cultural policies in Madrid and Barcelona during the
"governments of change" (2015-2019): Towards a post-creative city?
Mariano Martín Zamorano
Chapter 3: The rise and fall of cultural and creative industries policy in
Sweden
Katja Lindqvist
Chapter 4: Emerging rationalities in urban cultural policy making
processes: challenging market-centred cultural policy in the city of
Barcelona
Victoria Sánchez Belando and Matias Zarlenga
Section 2: Processes for social inclusion in cultural policies
Chapter 5: Crisis as change: new paradigms in cultural policy. The case of
Greece.
Olga Kolokytha
Chapter 6: Sounds of a Porte Ouverte: How Cultural Policies Encounter
Musical Diversity in Southeastern France
Aleysia Whitmore
Chapter 7: Mainstreaming Ageing in Austrian Cultural Organisations and
Cultural Policy
Vera Gallistl, Gerhard Geiger and Tasos Zembylas
Section 3: Follow the money? The politics and effects of arts funding
Chapter 8: Comparative study of European policies for ethical fundraising
in museums
Marie Ballarini and Marek Prokupek
Chapter 9: On subject's side: negotiation of objectives and urban
imaginaries in two community projects in the island of Malta
Virginia Monteforte
Chapter 10: Developments in visual arts policy: grant distributions,
applicants' characteristics, types of art, and legitimations for grant
money in Flanders (Belgium), 1965-2015
Julia Peters and Henk Roose
Section 4: Good governance and vested interests in cultural policies
Chapter 11: The German theatre system and the limited impact of cultural
policy on governance and management of public theatres
Thomas Schmidt
Chapter 12: Artistic quality in the audit society
Sigrid Røyseng