In Acoustic Profiles, author Randolph Jordan proposes a new model for image-sound analysis that incorporates the vocabulary and methods of environmental studies, specifically exploring the potential of a model based on acoustic ecology. The book provides a tool kit for readers to hear films with new ears, to think critically about this new listening practice, and to extend that engagement beyond the walls of the screening room by opening works of audiovisual media up to the consideration of soundscape research.
In Acoustic Profiles, author Randolph Jordan proposes a new model for image-sound analysis that incorporates the vocabulary and methods of environmental studies, specifically exploring the potential of a model based on acoustic ecology. The book provides a tool kit for readers to hear films with new ears, to think critically about this new listening practice, and to extend that engagement beyond the walls of the screening room by opening works of audiovisual media up to the consideration of soundscape research.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Randolph Jordan teaches in the Humanities department at Champlain College in Montreal. His research, teaching, and creative practice reside at the intersections of sound studies, film studies, and critical geography. He has published widely on the ways in which the fields of acoustic ecology and film sound studies can inform each other, and is co-editor of Sound, Media, Ecology (2019). As a practitioner, his films and sound work have been presented internationally, most recently as part of the team behind the Impostor Cities exhibition, Canada's official entry to the 2021 Venice Architecture Biennale.
Inhaltsangabe
* Introduction: Acoustic Profiling * Chapter 1: Audible Transparency: Modernist Acoustic Design in Jacques Tati's Playtime * Chapter 2: Immersive Reflexivity: Documenting the Inaudible in Peter Mettler's Picture of Light * Chapter 3: Reflective Empathy: Soundscape Composition and the Spatialization of Music in Gus Van Sant's Last Days * Chapter 4: The Schizophonographic Imagination: Visualizing the Myth of Sonic Fidelity in David Lynch's Twin Peaks * Chapter 5: Unsettled Listening: Tracking Vancouver's Contested Acoustic Profiles across Media * Conclusion: A Position Piece * Index
* Introduction: Acoustic Profiling * Chapter 1: Audible Transparency: Modernist Acoustic Design in Jacques Tati's Playtime * Chapter 2: Immersive Reflexivity: Documenting the Inaudible in Peter Mettler's Picture of Light * Chapter 3: Reflective Empathy: Soundscape Composition and the Spatialization of Music in Gus Van Sant's Last Days * Chapter 4: The Schizophonographic Imagination: Visualizing the Myth of Sonic Fidelity in David Lynch's Twin Peaks * Chapter 5: Unsettled Listening: Tracking Vancouver's Contested Acoustic Profiles across Media * Conclusion: A Position Piece * Index
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