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Ceridwen Hall's debut full-length collection brings "charming geekiness" to poems of family and communication . "Acoustic shadows are areas where the typical movement of soundwaves is disrupted--by wind, by walls, by tidal currents or fluctuations in ocean temperature--such that sounds become muted or warped. On land, they enable noise to refract around an intervening silence, conjuring ghostly echoes. For a submarine in dangerous waters, an acoustic shadow might be a treacherous blind spot or an ideal hiding place." This explanation of the title that opens Ceridwen Hall's first full-length…mehr

Produktbeschreibung
Ceridwen Hall's debut full-length collection brings "charming geekiness" to poems of family and communication . "Acoustic shadows are areas where the typical movement of soundwaves is disrupted--by wind, by walls, by tidal currents or fluctuations in ocean temperature--such that sounds become muted or warped. On land, they enable noise to refract around an intervening silence, conjuring ghostly echoes. For a submarine in dangerous waters, an acoustic shadow might be a treacherous blind spot or an ideal hiding place." This explanation of the title that opens Ceridwen Hall's first full-length poetry collection also reveals her program, for indeed this is a book full of disruptions and ghostly echoes, navigating the dangerous waters of "a future / where houses outlive parents" and we must contemplate how it is "awful now to expect / to live another half-century or more in this world / all our need is destroying." Real submarines ply these pages, along with Marconi and all manner of fascinating technical details, but as the title of one poem ("My Sisters Are Cold War Submarines") makes clear, her real subject here is family, itself a treacherous sea to sail. In the end what she seeks, and finds, is that ideal hiding place, "a safe distance from which to love everyone."
Autorenporträt
Ceridwen Hall is a poet and educator from Ohio. She completed her MFA at the University of Illinois, Urbana- Champaign, and her PhD at the University of Utah, where she received the Clarence Snow Fellowship and the Levis Prize in Poetry. She is the author of two chapbooks: Automotive (Finishing Line Press, 2020) and fields drawn from subtle arrows (Co-winner of the 2022 Midwest Chapbook Award). Her work has appeared in TriQuarterly, Pembroke Magazine, Tar River Poetry, The Cincinnati Review, Craft, Poet Lore, and other journals.