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Compares how photographers in Norway and the US represented the environment in the nineteenth and early twentieth centuries, when once-remote wildernesses were first surveyed, developed, and photographed. Making images while traversing almost inaccessible terrain, photographers created a visual language that came to symbolize each nation.

Produktbeschreibung
Compares how photographers in Norway and the US represented the environment in the nineteenth and early twentieth centuries, when once-remote wildernesses were first surveyed, developed, and photographed. Making images while traversing almost inaccessible terrain, photographers created a visual language that came to symbolize each nation.
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Autorenporträt
Shannon Egan is director of the Schmucker Art Gallery at Gettysburg College and the cofounder and codirector of the art gallery Ejecta Projects. She has authored articles on photographers Edward S. Curtis and Jeff Wall, and co-authored the artbook Ejecta. Marthe Tolnes Fjellestad is the curator at Perspektivet Museum, Tromsø. She is coauthor of Starman--Sophus Tromholt Photographs 1882-1883, and coeditor of Library and Information Studies for Arctic Social Sciences and Humanities.