Studying the careers of popular actors Amedeo Nazzari and Alberto Sordi, Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility. Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianità (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the…mehr
Studying the careers of popular actors Amedeo Nazzari and Alberto Sordi, Acting Across Borders explores the question of how Italian cinema from the 1930s to 1980s has considered human mobility. Through close readings of a selection of films, Alberto Zambenedetti examines the concept of italianità (Italian-ness) as manifested in contexts related to migration, diaspora, exile, tourism, travel and their supporting infrastructures. In this wide-ranging study, the methodologies of Film Studies and the Mobilities Framework are combined to illuminate an undertheorised yet vital tradition in the history of the national cinema. Alberto Zambenedetti is Assistant Professor in the Department of Italian Studies and the Cinema Studies Institute, University of Toronto.
Alberto Zambenedetti is Assistant Professor in the Department of Italian Studies, University of Toronto
Inhaltsangabe
LIST OF FIGURES ACKNOWLEDGEMENTS INTRODUCTION: ACTING ACROSS BORDERS PART ONE: AMEDEO NAZZARI Introduction to Part One: Amedeo Nazzari's Many Im/mobilities Chapter 1: Flying: Empire Cinema's (Aero)Mobilities Chapter 2: Returning: Im/mobility and Immigrant's Nostalgia Chapter 3: Fighting: Wartime Im/mobility in Harlem Chapter 4: Romancing: Postwar Im/mobilities in Raffaello Matarazzo's Melodramas Chapter 5: Migrating: The Pathology of Im/mobility Conclusion: Driving the Flâneuse: Le notti di Cabiria PART TWO: ALBERTO SORDI Introduction to Part Two: Alberto Sordi's Comic Mobilities Chapter 1: Vacationing: The Rise of the Travelling Comedian Chapter 2: Working: 'L'Italia è una Repubblica Democratica, fondata sul lavoro' Chapter 3: Killing: Criminal Mobilities Chapter 4: Exploring: Italian Identity Abroad Chapter 5: Drilling: (Auto)Mobile Satires of Global Petroculture Conclusion: Driving Across (Screen) Borders FILMOGRAPHY BIBLIOGRAPHY INDEX
LIST OF FIGURES ACKNOWLEDGEMENTS INTRODUCTION: ACTING ACROSS BORDERS PART ONE: AMEDEO NAZZARI Introduction to Part One: Amedeo Nazzari's Many Im/mobilities Chapter 1: Flying: Empire Cinema's (Aero)Mobilities Chapter 2: Returning: Im/mobility and Immigrant's Nostalgia Chapter 3: Fighting: Wartime Im/mobility in Harlem Chapter 4: Romancing: Postwar Im/mobilities in Raffaello Matarazzo's Melodramas Chapter 5: Migrating: The Pathology of Im/mobility Conclusion: Driving the Flâneuse: Le notti di Cabiria PART TWO: ALBERTO SORDI Introduction to Part Two: Alberto Sordi's Comic Mobilities Chapter 1: Vacationing: The Rise of the Travelling Comedian Chapter 2: Working: 'L'Italia è una Repubblica Democratica, fondata sul lavoro' Chapter 3: Killing: Criminal Mobilities Chapter 4: Exploring: Italian Identity Abroad Chapter 5: Drilling: (Auto)Mobile Satires of Global Petroculture Conclusion: Driving Across (Screen) Borders FILMOGRAPHY BIBLIOGRAPHY INDEX
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