Acting the Essence examines the theory, practice and history of the art of the performer, from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor.
Acting the Essence examines the theory, practice and history of the art of the performer, from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor.
List of Figures Acknowledgements INTRODUCTION Acting with bad intentions PART ONE: STANISLAVSKI AND GROTOWSKI. THE PERFORMER'S WORK ON THE SELF IN EUROPEAN THEATRE Chapter One The Work on One's Self in Stanislavski's lineage Chapter Two Grotowski from Theatre to Ritual Arts PART TWO: THEATRE AND RITUAL. THE PERFORMER'S WORK ON THE SELF BEYOND THEATRE Chapter Three Performances and Altered States of Consciousness (ASC). An overview Chapter Four Trance, Possession and Acting PART THREE: PIRANDELLO AND WEIL. THE PERFORMER'S WORK ON THE SELF OUTSIDE THEATRE Chapter Five Pirandello's Actor Chapter Six Simone Weil, Performance and Attention Photographs Notes Index
List of Figures Acknowledgements INTRODUCTION Acting with bad intentions PART ONE: STANISLAVSKI AND GROTOWSKI. THE PERFORMER'S WORK ON THE SELF IN EUROPEAN THEATRE Chapter One The Work on One's Self in Stanislavski's lineage Chapter Two Grotowski from Theatre to Ritual Arts PART TWO: THEATRE AND RITUAL. THE PERFORMER'S WORK ON THE SELF BEYOND THEATRE Chapter Three Performances and Altered States of Consciousness (ASC). An overview Chapter Four Trance, Possession and Acting PART THREE: PIRANDELLO AND WEIL. THE PERFORMER'S WORK ON THE SELF OUTSIDE THEATRE Chapter Five Pirandello's Actor Chapter Six Simone Weil, Performance and Attention Photographs Notes Index
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