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The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, wild-west stars, and athletes captured in motion to the present when audiences marvel at the seamless blend of human actors with CGI. In six original essays, the contributors to this volume illuminate the dynamic role of acting in the creation and evolving practices of the American film industry.    

Produktbeschreibung
The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, wild-west stars, and athletes captured in motion to the present when audiences marvel at the seamless blend of human actors with CGI. In six original essays, the contributors to this volume illuminate the dynamic role of acting in the creation and evolving practices of the American film industry.    
Autorenporträt
CLAUDIA SPRINGER is in the English department at Framingham State University where she teaches film studies. She is the author of Electronic Eros: Bodies and Desire in the Postindustrial Age and James Dean Transfigured: The Many Faces of Rebel Iconography.  JULIE LEVINSON is a professor of film at Babson College. She is the author of The American Success Myth on Film, and the editor of Alexander Payne: Interviews.