Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.
Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.
Liz Tomlin is Lecturer in the Department of Drama and Theatre Arts at the University of Birmingham
Inhaltsangabe
Introduction Part I: The Discursive Act 1 Discourses of resistance: representation and the real in the twentieth century avant-gardes 2 Deconstructing the postdramatic: questions of mimesis, authorship, and representation Part II: Apparitions of the Real 3 Quoting quotations: citational theory and contemporary characterisation 4 Representing the real: verbatim practice in a sceptical age 5 Re-membering the real: experiential challenges to the medium of theatrical representation 6 From spect-actor to corporate player: re-configurations of twenty first century audiences Afterword
Introduction Part I: The Discursive Act 1 Discourses of resistance: representation and the real in the twentieth century avant-gardes 2 Deconstructing the postdramatic: questions of mimesis, authorship, and representation Part II: Apparitions of the Real 3 Quoting quotations: citational theory and contemporary characterisation 4 Representing the real: verbatim practice in a sceptical age 5 Re-membering the real: experiential challenges to the medium of theatrical representation 6 From spect-actor to corporate player: re-configurations of twenty first century audiences Afterword
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