Amelia has the ability to levitate. During her wanderings through dream galleries, costumed performances, and future libraries she meets Clara (an elusive photographer), Sebastion (part human, part lion) and a chorus of cynics who exist only in partial bodies. In this voyage into the illusion of identity, Laynie Browne serves us a psychological portrait of the creative act.
Amelia has the ability to levitate. During her wanderings through dream galleries, costumed performances, and future libraries she meets Clara (an elusive photographer), Sebastion (part human, part lion) and a chorus of cynics who exist only in partial bodies. In this voyage into the illusion of identity, Laynie Browne serves us a psychological portrait of the creative act.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laynie Browne is the author of seven collections of poetry and one novel. Her most recent publications include The Scented Fox, (Wave Books 2007), Daily Sonnets (Counterpath Books, 2007) and Drawing of a Swan Before Memory, (University of Georgia Press, 2005). Two collections are forthcoming: Roseate, Points of Gold, from Dusie Books and The Desires of Letters, from Counterpath. Her work has been anthologized recently in Not For Mothers Only (Fence Books), Wreckage of Reason, An anthology of Contemporary Xxperimental Prose by Women Writers, (Spuytenduyvil), and in The Reality Street Book of Sonnets (Reality Street Edititions, U.K.). With others she has co-curated various reading series including the Ear Inn reading series in New York, the Subtext Series in Seattle, and now as part of the POG reading series Tucson Arizona. She has taught creative writing at The University of Washington, Bothell, at Mills College in Oakland and at the Poetry Center at the University of Arizona.
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