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At a raucous party during their freshman year at Princeton, Tom and Amber connect in ways that seem innocent enough at first. But as things progress, they find themselves in murky territory, with ramifications that could affect the rest of their lives. What actually happened between them?  Actually explores the difficult question of how to define the point at which sex ceases to be consensual. Tom, a black music student, and Amber, a shy Jewish student, each make their case, addressing the audience, not one another. Each has their own version of what they believe to be true. They give evidence…mehr

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Produktbeschreibung
At a raucous party during their freshman year at Princeton, Tom and Amber connect in ways that seem innocent enough at first. But as things progress, they find themselves in murky territory, with ramifications that could affect the rest of their lives. What actually happened between them?  Actually explores the difficult question of how to define the point at which sex ceases to be consensual. Tom, a black music student, and Amber, a shy Jewish student, each make their case, addressing the audience, not one another. Each has their own version of what they believe to be true. They give evidence to a Campus Committee which is ill-equipped to handle such cases.  Actually has been described as "an extraordinary piece of theatre. The brilliance in Ziegler's writing is in its ability to explore the issue of each character's history, mixed with gender politics, social class and race to indicate the unconscious desires that influenced their actions on the night."
Autorenporträt
Anna Ziegler has written the plays Actually (produced at Manhattan Theatre Club, Williamstown Theatre Festival, Geffen Playhouse, Trafalgar Studios and others; L.A. Ovation Award winner for Playwriting for an Original Play), the widely produced Photograph 51 (directed on the West End by Michael Grandage and starring Nicole Kidman; WhatsOnStage Award for Best New Play; named the number one play of 2019 by the Chicago Tribune and in other years selected as a "Best of the Year" play by The Washington Post and The Telegraph), Boy (Outer Critics Circle John Gassner Award nominee), The Wanderers (The Old Globe; upcoming at The Roundabout Theatre Company; Craig Noel Award winner for Outstanding New Play), The Last Match (Roundabout Theatre Company; The Old Globe; upcoming: Writers' Theatre, Chicago), and A Delicate Ship (New York Times Critic's Pick; The Playwrights Realm; Cincinnati Playhouse). Recent notable: Photograph 51 at Melbourne Theatre Company (Australia); The Great Moment at Seattle Rep (world premiere) and Antigones at the Ojai Playwrights Conference and the O'Neill Playwrights Conference. She is developing television and movie projects at HBO Max and Scott Free Productions. More at annabziegler.net.