Exploring how readers received and responded to literary works in the long eighteenth century, Newbould focuses on the role played by Laurence Sterne's fiction and its adaptations. Placing her examination of Sterneana within the context of its production, Newbould breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies as diverse as drama, music, travel writing, sentimental fiction and the visual.
Exploring how readers received and responded to literary works in the long eighteenth century, Newbould focuses on the role played by Laurence Sterne's fiction and its adaptations. Placing her examination of Sterneana within the context of its production, Newbould breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies as diverse as drama, music, travel writing, sentimental fiction and the visual.
Mary-Céline Newbould is a Director of Studies and Supervisor in English at the University of Cambridge, where she is a Bye-Fellow of Newnham College, UK.
Inhaltsangabe
Contents: Making noise: Sterneana and adaptation Sentimental journeys?: adaptations of Sterne's travel narratives Elegant extracts or fungous productions?: Sterneana and sentimental fiction 'Forth from the closet to the improving stage'?: Sterneana on stage and page 'A illustration to the mind's eye': Sterneana and the visual (In)conclusion Appendix Bibliography Index.
Contents: Making noise: Sterneana and adaptation Sentimental journeys?: adaptations of Sterne's travel narratives Elegant extracts or fungous productions?: Sterneana and sentimental fiction 'Forth from the closet to the improving stage'?: Sterneana on stage and page 'A illustration to the mind's eye': Sterneana and the visual (In)conclusion Appendix Bibliography Index.
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