Adapting Greek Tragedy
Herausgeber: Liapis, Vayos; Sidiropoulou, Avra
Adapting Greek Tragedy
Herausgeber: Liapis, Vayos; Sidiropoulou, Avra
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Fifteen leading scholars and practitioners of theatre systematically explore, from a variety of perspectives, contemporary adaptations of Greek tragedy. The volume offers both a survey of recent developments and much-needed theoretical grounding in what is an increasingly dynamic approach to an ancient dramatic genre.
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Fifteen leading scholars and practitioners of theatre systematically explore, from a variety of perspectives, contemporary adaptations of Greek tragedy. The volume offers both a survey of recent developments and much-needed theoretical grounding in what is an increasingly dynamic approach to an ancient dramatic genre.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 448
- Erscheinungstermin: 7. April 2021
- Englisch
- Abmessung: 235mm x 157mm x 29mm
- Gewicht: 790g
- ISBN-13: 9781107155701
- ISBN-10: 1107155703
- Artikelnr.: 61468587
- Verlag: Cambridge University Press
- Seitenzahl: 448
- Erscheinungstermin: 7. April 2021
- Englisch
- Abmessung: 235mm x 157mm x 29mm
- Gewicht: 790g
- ISBN-13: 9781107155701
- ISBN-10: 1107155703
- Artikelnr.: 61468587
Introduction; Prelude: Adapting Greek Tragedy: A Historical Perspective
Vayos Liapis; Part I: Adapting Greek Tragedy: Definitions, Conceptual
Foundations, Ethics: 1. Definitions: Adaptation and Related Modalities
Katja Krebs; 2. Forsaking the Fidelity Discourse: The Application of
Adaptation Peter Meineck; 3. Translation and/as Adaptation Lorna Hardwick;
4. Adaptation as a Love Affair: The Ethics of Directing the Greeks Avra
Sidiropoulou; Part II: Adaptation on the Page and on the Stage:
Re-inscribing the Greek Classics: 5. Interlude: Speaking Up: Theatre
Practitioners on Adapting the Classics; 6. The View from the Archive:
Performances of Ancient Tragedy at the National Theatre, 1963-1973 Adam
Lecznar; 7. Compromise, Contingency, and Gendered Adaptation: The Case of
the Malthouse's Antigone Jane Montgomery Griffiths; 8. Technology, Media
and Intermediality in Contemporary Adaptations of Greek Tragedy Peter
Campbell; 9. Violence in Adaptations of Greek Tragedy Simon Perris; 10.
Adaptations of Greek Tragedies in non-Western Performance Cultures Erika
Fischer-Lichte; 11. Cultural Identities: Appropriations of Greek Tragedy in
Post-colonial Discourse Elke Steinmeyer; 12. Trapped between Fidelity and
Adaptation? On the Reception of Ancient Greek Tragedy in Modern Greece
Anastasia Bakogianni; 13. Adaptation and the Transtextual Palimpsest: Anne
Carson's Antigonick as a Textual/Visual Hybrid Vayos Liapis.
Vayos Liapis; Part I: Adapting Greek Tragedy: Definitions, Conceptual
Foundations, Ethics: 1. Definitions: Adaptation and Related Modalities
Katja Krebs; 2. Forsaking the Fidelity Discourse: The Application of
Adaptation Peter Meineck; 3. Translation and/as Adaptation Lorna Hardwick;
4. Adaptation as a Love Affair: The Ethics of Directing the Greeks Avra
Sidiropoulou; Part II: Adaptation on the Page and on the Stage:
Re-inscribing the Greek Classics: 5. Interlude: Speaking Up: Theatre
Practitioners on Adapting the Classics; 6. The View from the Archive:
Performances of Ancient Tragedy at the National Theatre, 1963-1973 Adam
Lecznar; 7. Compromise, Contingency, and Gendered Adaptation: The Case of
the Malthouse's Antigone Jane Montgomery Griffiths; 8. Technology, Media
and Intermediality in Contemporary Adaptations of Greek Tragedy Peter
Campbell; 9. Violence in Adaptations of Greek Tragedy Simon Perris; 10.
Adaptations of Greek Tragedies in non-Western Performance Cultures Erika
Fischer-Lichte; 11. Cultural Identities: Appropriations of Greek Tragedy in
Post-colonial Discourse Elke Steinmeyer; 12. Trapped between Fidelity and
Adaptation? On the Reception of Ancient Greek Tragedy in Modern Greece
Anastasia Bakogianni; 13. Adaptation and the Transtextual Palimpsest: Anne
Carson's Antigonick as a Textual/Visual Hybrid Vayos Liapis.
Introduction; Prelude: Adapting Greek Tragedy: A Historical Perspective
Vayos Liapis; Part I: Adapting Greek Tragedy: Definitions, Conceptual
Foundations, Ethics: 1. Definitions: Adaptation and Related Modalities
Katja Krebs; 2. Forsaking the Fidelity Discourse: The Application of
Adaptation Peter Meineck; 3. Translation and/as Adaptation Lorna Hardwick;
4. Adaptation as a Love Affair: The Ethics of Directing the Greeks Avra
Sidiropoulou; Part II: Adaptation on the Page and on the Stage:
Re-inscribing the Greek Classics: 5. Interlude: Speaking Up: Theatre
Practitioners on Adapting the Classics; 6. The View from the Archive:
Performances of Ancient Tragedy at the National Theatre, 1963-1973 Adam
Lecznar; 7. Compromise, Contingency, and Gendered Adaptation: The Case of
the Malthouse's Antigone Jane Montgomery Griffiths; 8. Technology, Media
and Intermediality in Contemporary Adaptations of Greek Tragedy Peter
Campbell; 9. Violence in Adaptations of Greek Tragedy Simon Perris; 10.
Adaptations of Greek Tragedies in non-Western Performance Cultures Erika
Fischer-Lichte; 11. Cultural Identities: Appropriations of Greek Tragedy in
Post-colonial Discourse Elke Steinmeyer; 12. Trapped between Fidelity and
Adaptation? On the Reception of Ancient Greek Tragedy in Modern Greece
Anastasia Bakogianni; 13. Adaptation and the Transtextual Palimpsest: Anne
Carson's Antigonick as a Textual/Visual Hybrid Vayos Liapis.
Vayos Liapis; Part I: Adapting Greek Tragedy: Definitions, Conceptual
Foundations, Ethics: 1. Definitions: Adaptation and Related Modalities
Katja Krebs; 2. Forsaking the Fidelity Discourse: The Application of
Adaptation Peter Meineck; 3. Translation and/as Adaptation Lorna Hardwick;
4. Adaptation as a Love Affair: The Ethics of Directing the Greeks Avra
Sidiropoulou; Part II: Adaptation on the Page and on the Stage:
Re-inscribing the Greek Classics: 5. Interlude: Speaking Up: Theatre
Practitioners on Adapting the Classics; 6. The View from the Archive:
Performances of Ancient Tragedy at the National Theatre, 1963-1973 Adam
Lecznar; 7. Compromise, Contingency, and Gendered Adaptation: The Case of
the Malthouse's Antigone Jane Montgomery Griffiths; 8. Technology, Media
and Intermediality in Contemporary Adaptations of Greek Tragedy Peter
Campbell; 9. Violence in Adaptations of Greek Tragedy Simon Perris; 10.
Adaptations of Greek Tragedies in non-Western Performance Cultures Erika
Fischer-Lichte; 11. Cultural Identities: Appropriations of Greek Tragedy in
Post-colonial Discourse Elke Steinmeyer; 12. Trapped between Fidelity and
Adaptation? On the Reception of Ancient Greek Tragedy in Modern Greece
Anastasia Bakogianni; 13. Adaptation and the Transtextual Palimpsest: Anne
Carson's Antigonick as a Textual/Visual Hybrid Vayos Liapis.