This book explores the appropriation of Islamic architecture by Spanish historians during the sixteenth and seventeenth centuries, illuminating its relationship to the development of Spanish national identity.
This book explores the appropriation of Islamic architecture by Spanish historians during the sixteenth and seventeenth centuries, illuminating its relationship to the development of Spanish national identity.
Antonio Urquízar-Herrera is Associate Professor at the History of Art Department of the UNED, Madrid, as well as Life Member at Clare Hall, University of Cambridge. He has published several monographs about Early Modern Art in Spain, among them Coleccionismo y nobleza. Signos de distinción social en la Andalucía del Renacimiento (2007). He has also published more than thirty book chapters and articles in International and Spanish peer review journals. He has been principal investigator of a number of different research groups and research projects on Early Modern Art in Spain.
Inhaltsangabe
* Preface: The Islamic Stones of Spain, Today * Introduction * PART I * 1: Conquest and Plunder * 2: The Notion of the Loss of Spain * 3: Islamic Monuments as Christian Trophies * PART II * 4: Historical Dislocation and Antiquarian Appropriation * 5: The Foundations of an Antiquarian Literature for Islamic Architecture * 6: The Antiquarian Appropriation of Islamic Monuments * PART III * 7: The Religious Use of the Antiquarian Model * 8: Genealogical Forgery and Continuity of Christian Worship * 9: Calling on the Martyrs: The Final Atonement of Islamic Architecture * PART IV * 10: Charting the Impact of Historiographical Texts? * Bibliography
* Preface: The Islamic Stones of Spain, Today * Introduction * PART I * 1: Conquest and Plunder * 2: The Notion of the Loss of Spain * 3: Islamic Monuments as Christian Trophies * PART II * 4: Historical Dislocation and Antiquarian Appropriation * 5: The Foundations of an Antiquarian Literature for Islamic Architecture * 6: The Antiquarian Appropriation of Islamic Monuments * PART III * 7: The Religious Use of the Antiquarian Model * 8: Genealogical Forgery and Continuity of Christian Worship * 9: Calling on the Martyrs: The Final Atonement of Islamic Architecture * PART IV * 10: Charting the Impact of Historiographical Texts? * Bibliography
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