Adolphe Appia swept away the foundations of traditional theatre and set the agenda for the development of theatrical practice this century. Richard Beacham brings together for the first time, selections from all his major works.
Adolphe Appia swept away the foundations of traditional theatre and set the agenda for the development of theatrical practice this century. Richard Beacham brings together for the first time, selections from all his major works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Adolphe Appia, 1862-1928 Part I The reformation of theatrical production Chapter 1 Introduction Chapter 2 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 3 (1899), Excerpts Chapter 4 Ideas on a Reform of Our Mise en Scène (1902) Part II Writings on eurhythmics Chapter 5 Introduction Chapter 6 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 7 Return to Music (1906) Chapter 8 Style and Solidarity (1909) Chapter 9 The Origin and Beginnings of Eurhythmics (1911) Chapter 10 Eurhythmies and the Theatre (1911) Chapter 11 Eurhythmies and Light (1912) Chapter 12 Concerning for Eurhythmies (1912) Part III Essays on the art of the theatre Chapter 13 Introduction Chapter 14 (1919) Chapter 15 (1920) Chapter 16 Living Art or Dead Nature? (1921) Chapter 17 Theatrical Production and its Prospects for the Future (1921) Chapter 18 Monumentality (1922) Chapter 19 A Lecture for Zurich (1925) Part IV Aesthetic and prophetic writings Chapter 20 Introduction Chapter 21 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 22 :: Chapter 23 The Gesture of Art (1921) Chapter 24 Picturesqueness (1922) Chapter 25 Mechanization (1922) Chapter 26 The Former Attitude (1921)
Introduction Adolphe Appia, 1862-1928 Part I The reformation of theatrical production Chapter 1 Introduction Chapter 2 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 3 (1899), Excerpts Chapter 4 Ideas on a Reform of Our Mise en Scène (1902) Part II Writings on eurhythmics Chapter 5 Introduction Chapter 6 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 7 Return to Music (1906) Chapter 8 Style and Solidarity (1909) Chapter 9 The Origin and Beginnings of Eurhythmics (1911) Chapter 10 Eurhythmies and the Theatre (1911) Chapter 11 Eurhythmies and Light (1912) Chapter 12 Concerning for Eurhythmies (1912) Part III Essays on the art of the theatre Chapter 13 Introduction Chapter 14 (1919) Chapter 15 (1920) Chapter 16 Living Art or Dead Nature? (1921) Chapter 17 Theatrical Production and its Prospects for the Future (1921) Chapter 18 Monumentality (1922) Chapter 19 A Lecture for Zurich (1925) Part IV Aesthetic and prophetic writings Chapter 20 Introduction Chapter 21 Theatrical Experiences and Personal Investigations (1921), Excerpts Chapter 22 :: Chapter 23 The Gesture of Art (1921) Chapter 24 Picturesqueness (1922) Chapter 25 Mechanization (1922) Chapter 26 The Former Attitude (1921)
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